Martineau, Harriet, and Gaby Weiner. Harriet Martineau’s Autobiography. Virago.
2: 95-100
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Residence | Harriet Martineau | On her arrival she was courted by publishers Richard Bentley
, Henry Colburn
, and William Saunders
for the right to issue reprints and new books. Martineau, Harriet, and Gaby Weiner. Harriet Martineau’s Autobiography. Virago. 2: 95-100 |
Publishing | Anne Marsh | Their titles were Sealed Orders, The Previsions of Lady Evelyn, and A Soldier's Fortune. AM
had some trouble negotiating the terms for this publication. She wrote to her son on 28 March,... |
Publishing | Florence Marryat | During this time she oversaw the serialization of three of her own novels, and weathered an acrimonious shift of publisher from Bentley
to Clowes and Son
. Neisius, Jean Gano. Acting the Role of Romance: Text and Subtext in the Work of Florence Marryat. Texas Christian University. 70 |
Textual Production | Marguerite Gardiner, Countess of Blessington | Bentley
issued what may be Marguerite Blessington
's first novel published in London: The Repealers addresses the growing movement to repeal the Act of Union between England and Ireland (effective 1 January 1801). Athenæum. J. Lection. 294 (1833): 372 Molloy, Joseph Fitzgerald. The Most Gorgeous Lady Blessington. Downey. 232 |
Publishing | Marguerite Gardiner, Countess of Blessington | She wrote the last two-thirds of the text between 4 and 31 March 1833. Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114. 92 |
Publishing | Anne Manning | AM
used a different publisher, Richard Bentley
, for a whole series of novels which were contemporary, not historical, and which bore the subtitle A Tale of English Country Life. These run from The... |
Textual Production | Sarah Macnaughtan | SM
published her first novel, Selah Harrison, through R. Bentley and Son
. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Publishing | Eliza Lynn Linton | She intended this novel to open the eyes of its readers to the oppression of women. Her hopes were very high: I confidently expect a success equal to Jane Eyre. This may sound vain... |
Publishing | Mary Linskill | ML
first reached a wide readership when her second novel, Between the Heather and the Northern Sea, emerged in three-volume form from Bentley
, having been serialized in Good Words from January that year. Stamp, Cordelia. Mary Linskill. Caedmon of Whitby. prelims, 105 British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Publishing | Mary Linskill | She worked on this novel through a recurrence of ill health: sleeplessness, neuralgia, and a failure of vitality. She dedicated it to Hyacinthe, Lady Dalby
, who had supplied the material for A Garland of... |
Publishing | Caroline Leakey | First published in London in two volumes, it appeared in Hobart in 1860. The novel was written between March 1857 and March 1858. It went through three editions and three reprints between 1859 and 1900... |
Publishing | May Laffan | ML
began her extensive correspondence with the firm of Macmillan
, which, late in her career, took over from Richard Bentley
as her British publisher. Kahn, Helena Kelleher. Late Nineteenth-Century Ireland’s Political and Religious Controversies in the Fiction of May Laffan Hartley. ELT. 50 |
Publishing | May Laffan | This was the last novel to appear before ML
's marriage (after which she reputedly gave up writing). Apart from Bentley
's edition, ML
's American publisher Henry Holt
published or re-published it at New... |
Textual Production | May Laffan | Richard Bentley
published, anonymously, the edition of ML
's Christy Carew which is reckoned by most scholars (though not by Helena Kelleher Kahn
), to be the first. Athenæum. J. Lection. 2728 (1880): 182 |
Publishing | Fanny Aikin Kortright | She says that, not being personally known to Beecher Stowe, she has not asked leave for her dedication, but that Stowe
's work for the black slaves suggests she would favour a work written to... |
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