Crisp, Jane. Jessie Fothergill, 1851-1891: A Bibliography. Department of English, University of Queensland, p. 27 pp.
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Connections | Author name Sort ascending | Excerpt |
---|---|---|
Textual Features | Catherine Gore | CG
told Sydney Morgan
that her publisher, Bentley
, had both thought of the subject and suggested the title. But with this self-exculpation she admitted that her protagonist was based on Mary, Countess of Cork and Orrery |
Publishing | Jessie Fothergill | Like Healey, this novel was sold outright to Henry S. King
; it was reprinted by Bentley
in 1891 and by Macmillan
in 1899. Crisp, Jane. Jessie Fothergill, 1851-1891: A Bibliography. Department of English, University of Queensland, p. 27 pp. 15 |
Publishing | Jessie Fothergill | The copyright of the novel initially sold for £40 on 26 March 1877. Two months later, Richard Bentley and Son
recognized its commercial possibilities and drew up a new contract, increasing the price to £200... |
Publishing | Jessie Fothergill | |
Publishing | Jessie Fothergill | While the first two of these novels were published by Bentley
in three volumes, The Lasses of Leverhouse appeared in one-volume form from Hurst and Blackett
. This domestic story was first seen in the... |
Textual Production | Grace Elliott | Richard Bentley
published from manuscript GE
's Journal of My Life during the French Revolution, whose existence he had heard about from her grand-daughter. The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. |
Publishing | Grace Elliott | Richard Bentley
followed his edition of GE
's manuscript journals with a publicising letter about them in the Times. Feminist Companion Archive. |
Publishing | Maria Edgeworth | John Gibson Lockhart
managed ME
's dealings about this book with the publisher, Bentley
: Bentley was to buy the first edition only, not the continuing copyright, and was to increase the payment if he... |
Publishing | Emily Eden | Her publisher, Bentley
, had offered her £250, but she held out for and got £300, and felt that the book's success had vindicated her bargaining. Eden, Anthony, and Emily Eden. “Introduction”. Two Novels, Victor Gollancz, pp. 7-20. 17 |
Publishing | Marie Corelli | Despite his readers having refused to recommend its publication, George BentleyRichard Bentley and Son
decided to print MC
's first novel. He suggested a change in the title, on grounds that its original title, Lifted Up, was... |
Publishing | Marie Corelli | This book appeared anonymously, but it quickly came to be known that MC
had co-authored it, along with Eric Mackay
(her half-brother) and Henry Labouchere
. As the extent of Mackay and Labouchere's contribution is... |
Publishing | Wilkie Collins | It was hard to find a publisher for Antonina until Bentley
agreed to pay him a hundred pounds for it, with a further hundred to follow if the edition sold more than 500 copies (which... |
Textual Production | Frances Power Cobbe | By early 1876, someone using the name of Fanny Power Cobbe
(legitimately as it turned out, but apparently impersonating FPC
) sent submissions to George Bentley
(of the publishing house
), Tinsley's Magazine, and... |
Publishing | Frances Power Cobbe | She paid for the printing, typesetting, and binding herself, though the book was nominally published by Bentley
; within three months she had made £600. Mitchell, Sally. Frances Power Cobbe: Victorian Feminist, Journalist, Reformer. University of Virginia Press. 346 |
Publishing | Mary Cholmondeley | Her publisher, Bentley
, had received the manuscript from MC
's friend Rhoda Broughton
. Bentley paid MC
£40 for The Danvers Jewels and £50 for its sequel, Sir Charles Danvers (also published by Bentley... |
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