McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press.
107n30
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Mary Herberts | The romance story is richly embellished with detail: highwaymen, a house burning down, and debates on topics like music, national stereotypes, and the nature of love. Bellflœur goes by the name of Mr Flower... |
Textual Features | Lucy Hutton | Towards the end of her work LH
addresses men, telling them her wish is that they should meet women halfway. Her expression of humility, or of dissatisfaction with her own work (my aerial car... |
Textual Features | Anna Letitia Barbauld | This issue was a continuing interest of Barbauld's. She had contributed five hymns, anonymously, to William Enfield
's Hymns for Public Worship (published at Warrington in 1772), McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press. 107n30 |
Textual Features | Hilary Mantel | She is interested in hidden history, in apparently negligible people or objects whose historical significance is apparent only with hindsight, like the ginger-haired baby who would one day be known as Queen Elizabeth
or the... |
Textual Features | Catharine Trotter | The letters published by Birch reflect an intellect dealing in literary as well as moral debate. To Thomas Burnet of KemnayCT
wrote of religious and philosophical matters; he was her link to currents of... |
Textual Features | Elizabeth Elstob | EE
's preliminary list of names suggests considerable research work: it includes several ancient or Anglo-Saxon women as well as Mary Astell
, Anne Bacon
, Katherine Chidley
(as the pamphlet antagonist of Thomas Edwards |
Textual Features | Anna Hume | The British Library
copy differs from other extant copies in adding a concluding poem of eleven couplets (about the soul's parting from the body, after death has rendered the body disgusting), which is now known... |
Textual Features | Cecily Mackworth | |
Textual Features | Dorothy Boulger | Many of them flag through their titles the fact that their pivotal roles belong to women, in a way that suggests they were intended for a mostly female audience. Such titles include two which look... |
Textual Features | Lady Jane Lumley | Young though LJL
was, her play (written for a domestic audience of readers, possibly of spectators) participated in the intellectual debates of its time. She worked from an edition of the original Greek, published in... |
Textual Production | Mary Julia Young | MJY
allowed her poem Genius and Fancy; or, Dramatic Sketches to appear in print attributed only to a Lady. |
Textual Production | Elizabeth Daryush | Though its title includes the figure 1911, it was published (by Bowes and Bowes
of Cambridge) in 1912. The British Library
, the Bodleian Library
, and Cambridge University Library
boast copies. It is clearly extremely rare. |
Textual Production | Constantia Grierson | CG
's poem is pasted to the endpapers. There are copies in the British Library
and in the possession of A. C. Elias
, Jr. |
Textual Production | Fanny Kemble | FK
's papers are at the New York Public Library
, the Harvard
College Library, Butler Library at Columbia University
, Boston Public Library
, the British Library
, and the Victoria and Albert Museum
. Adey, Lionel, editor. Dictionary of Literary Biography 32. Gale Research. 181 |
Textual Production | Katherine Philips | KP
's poems circulated extensively beyond the manuscripts mentioned in Patrick Thomas's edition. The British Library
has further scattered texts, including one in KP
's rare holograph and two with musical settings. These have been... |
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