Monthly Catalogue, 1723-1730. Gregg Press.
6 (1723-30)
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Publishing | Elizabeth Helme | Montague Summers
lists a novel called The Penitent of Godstow; or, The Magdalen as published in 1804, but evidence of this work has not been found. The novel of 1812 is digitally available in Chawton House Library |
Publishing | Eliza Haywood | This play (based on Aphra Behn
's The Lucky Chance, 1686) was published soon afterwards. Monthly Catalogue, 1723-1730. Gregg Press. 6 (1723-30) |
Publishing | Eliza Haywood | This novel had two issues and a French translation in 1801. Carol Stewart
edited it, together with Life's Progress through the Passions, 1748, for the Chawton House Library Series in 2013. Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto. 135-9 British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Publishing | Eliza Haywood | Successive editions (extending to an eighth in 1765) expanded from one to four volumes, tracking the expansion of the original, which contained stories for six days in 1722, but for eighteen days in 1731. Genieys-Kirk, Séverine. “Eliza Haywood’s Translation and Dialogic Reading of Madeleine-Angélique Gomez’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Journées amusantes</span> (1722-1731)”. Translators, Interpreters, Mediators, edited by Gillian Dow, Peter Lang, pp. 37-54. 37 and n1 |
Reception | Eliza Haywood | Editor Carol Stewart
writes that here Opposition writing becomes a vehicle for potentially radical thinking, often feminist in nature. Bernard, Stephen. “Rediscovered secrets”. Times Literary Supplement, p. 25. |
Publishing | Ann Hatton | She dedicated it to John Edmin
. The text is digitally available through Chawton House Library
's Novels On-line series at http://www.chawtonhouse.org/?page_id=55488. |
Publishing | Jane Harvey | JH
dated her preface 12 February 1806. A former owner of what is now the Bodleian Library
copy, who lived at Tynemouth Vicarage, wrote their name in the novel in 1936. The Chawton House Library |
Publishing | Jane Harvey | The publisher was Henry Mozley
. This novel too is available in the Chawton House Library
series Novels On-line, at http://www.chawtonhouse.org/?page_id=55488. |
Publishing | Elizabeth Griffith | EG
's version of Marie-Madeleine de Lafayette
's The Princess of Cleves. An Historical Novel is available in the Chawton House Library
Novels On-line series at http://www.chawtonhouse.org/?page_id=55488. Her version of Aphra Behn
's Oroonoko,... |
Textual Production | Sarah Green | The literary-critical preface, unusually for such a satirical work, bears her intials. Green says she has reasons for concealing her name, but will affix the REAL initials of that name to this advertisement. .... |
Textual Production | Phebe Gibbes | With PG
's name appeared the designation author of the History of Lady Louisa Stroud. There are copies of The Niece, now rare, at the British Library
and Chawton House Library
. PG |
Performance of text | Stéphanie-Félicité de Genlis | Genlis' daughters gave performances of these plays to large audiences (up to five hundred people). Dow, Gillian. “Books owned by Jane Austen’s niece, Caroline, donated to Chawton House Library”. The Female Spectator, Vol. 1 n.s. , No. 4, pp. 1-3. 2 |
Publishing | Sarah Fielding | The preface sounds condescending today, yet it offers high literary praise. Henry brushed up his sister's grammar and replaced colloquial words and expressions with more formal ones. He also altered her punctuation, notably removing her... |
Reception | Sarah Fielding | The shadow cast over SF
by her brother Henry has been diminishing for some years. Reprints, scholarly editions, a biography, the printing of letters, and debate about her generic and critical place, all bear witness... |
Reception | Ephelia | Mulvihill's website at http://marauder.millersville.edu/~resound/ephelia/ offers a great deal of information including identifications, put forward with greater or lesser degrees of certainty, of twenty-three historical personages named in Female Poems on Several Occasions, together with... |
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