Waters, Sarah. “Foreword”. Dancing with Mr Darcy, Honno, pp. 1-4.
4
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Amelia Opie | The copy now in the library at Chawton Houe
bears an inscription from the author to her long-time friend Charles Edgeworth
(half-brother of Maria
). An edition published at Boston in 1839 was entitled A... |
Textual Production | Joanna Trollope | JA pursued her Austen
connection with a talk on her at a charity Christmas supper held at Chawton House Library
on 5 December 2015. |
Textual Production | Clara Reeve | This novel was advertised for the 26th of February. The Chawton House Library
copy has Reeve's gift inscription to a friend (Mrs Keller). She notes errors of the Press—infinitum, and begs her reader in lines... |
Textual Production | Frances Burney | In April 1780 the author's cousin Edward Francisco Burney
illustrated Evelina in three stained drawings. The one for volume two shows the heroine in her mood of depression after returning home from her visit... |
Textual Production | Sarah Waters | SW
wrote her foreword to Dancing with Mr Darcy. Stories Inspired by Jane Austen
and Chawton House Library, selected in a competition which she had also judged, and published this year. Waters, Sarah. “Foreword”. Dancing with Mr Darcy, Honno, pp. 1-4. 4 |
Textual Production | Phebe Gibbes | With PG
's name appeared the designation author of the History of Lady Louisa Stroud. There are copies of The Niece, now rare, at the British Library
and Chawton House Library
. PG |
Textual Production | Elinor James | Though it is often hard to tell exactly how much wording comprises the title of works by EJ
, this title may be read as To the Lords Spiritual and Temporal, the humble desire of... |
Textual Production | Sarah Green | The literary-critical preface, unusually for such a satirical work, bears her intials. Green says she has reasons for concealing her name, but will affix the REAL initials of that name to this advertisement. .... |
Textual Production | Michèle Roberts | In November 2011 MR
edited Wooing Mr Wickham, a collection of stories inspired by Jane Austen
or by Chawton House. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Production | Mary Leadbeater | It had a preface and notes by Maria Edgeworth
, who did not know ML
very well personally but was impressed by the book. The Chawton House Library
copy is one presented by Edgeworth to... |
Textual Production | Mary Robinson | Violet Fane
's inscribed copy is now at Chawton House Library
. |
Textual Production | Sarah Butler | Since some scholars believe that SB
was not a woman but a pseudonym, other names have been put forward for authorship. They include Charles Gildon
(who supplied the dedicatory epistle), or the Jacobite translator and... |
Textual Production | Maria Callcott | Some of MC
's manuscripts (owned by Rosamund Brunel Gotch
in 1937) are now in the Bodleian Library
. A collection of her sketches (including many of the drawings which accompanied her journal of her... |
Textual Production | Mary Shelley | MS
began to work seriously on this novel in late 1820. Crook, Nora. “Sleuthing towards a Mary Shelley Canon”. Women’s Writing, Vol. 6 , No. 3, pp. 413-24. 414 Chawton House Library Catalogue. http://www.chawton.org/library/index.html. |
Textual Production | Margaret Cavendish | The frontispiece depicts her standing in a classically architectural niche flanked by figures of Athena and Apollo. Lines of poetry below advise the onlooker not to concentrate on her beauty but View her Soul's Picture... |