Churchill, Caryl. Far Away. Nick Hern and Royal Court Theatre.
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Connections Sort descending | Author name | Excerpt |
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Occupation | Sarah Kane | |
Occupation | Ann Jellicoe | AJ
began her tenure as the Royal Court Theatre
's literary manager, a job that involved selecting plays for production: the two years during which she held this post helped launch the careers of several... |
Performance of text | Caryl Churchill | CC
's play Far Away opened at the Royal Court
's Theatre Upstairs, directed by Stephen Daldry
. Churchill, Caryl. Far Away. Nick Hern and Royal Court Theatre. title-page |
Performance of text | Timberlake Wertenbaker | TW
's play The Grace of Mary Traverse opened at the Royal Court Theatre
in London. Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 408 |
Performance of text | Sarah Daniels | Byrthrite, SD
's historical feminist drama about women's reproductive rights and the persecution of witches, set during the English Civil War, was first performed at the Royal Court Theatre
. Griffin, Gabriele. “Violence, Abuse, and Gender Relations in the Plays of Sarah Daniels”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, pp. 194-11. 207 Daniels, Sarah. Plays: One. Methuen. 334 Cousin, Geraldine. Women in Dramatic Place and Time: Contemporary Female Characters on Stage. Routledge. 92 |
Performance of text | Ann Jellicoe | AJ
's biographical play, Shelley
; or, The Idealist, was first performed at the Royal Court Theatre
in London. Jellicoe, Ann. Shelley. Faber and Faber. prelims Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 221 |
Performance of text | Samuel Beckett | SB
's play Fin de partie (Endgame), a bleak piece about alienation set in a desolate world, was published in Paris. The next month it had its first performance (in French) at the Royal Court
, London. Federman, Raymond, and John Fletcher. Samuel Beckett. University of California Press. 65 Parker, Peter, editor. The Reader’s Companion to Twentieth-Century Writers. Fourth Estate and Helicon. 60 Taylor, John Russell. The Penguin Dictionary of theTheatre. Penguin. 91 |
Performance of text | Timberlake Wertenbaker | TW
's Our Country's Good opened at the Royal Court Theatre
in London. Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 409 |
Performance of text | Sarah Daniels | The Women's Playhouse Trust
first performed a play by SD
about sexual abuse, Beside Herself, at the Royal Court Theatre
, directed by Jules Wright
. Daniels, Sarah. Plays: Two. Methuen. 96 Goodman, Lizbeth, and Jane De Gay. Feminist Stages: Interviews with Women in Contemporary British Theatre. Harwood Academic Publishers. 100 Aston, Elaine, and Geraldine Harris. Performance Practice and Process: Contemporary (Women) Practitioners. Palgrave Macmillan. 82 |
Performance of text | Samuel Beckett | SB
's play Endgame was banned from performance at the Royal Court
in London by the Lord Chancellor since the Deity was called a bastard. It finally opened in November this year. Cohn, Ruby. Back to Beckett. Princeton University Press. xi |
Performance of text | George Paston | GP
's Tilda's New Hat, a one-act comedy about love and fashion, was first performed by the Play Actors
at the Court Theatre
. Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press. 875 Kaplan, Joel H., and Sheila Stowell. Theatre and Fashion: Oscar Wilde to the Suffragettes. Cambridge University Press. 167 |
Performance of text | Caryl Churchill | CC
's immensely controversial ten-minute work Seven Jewish Children—a Play for Gaza premiered at the Royal Court Theatre
in London, causing a furore which spread globally over the next few months. Churchill, Caryl. “Read Caryl Churchillapos;s Seven Jewish Children”. guardia.co.uk. |
Performance of text | Sarah Daniels | Another play by SD
opened at the Royal Court Theatre
Upstairs: The Madness of Esme and Shaz, performed by the English Stage Company
. Griffin, Gabriele. “Violence, Abuse, and Gender Relations in the Plays of Sarah Daniels”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, pp. 194-11. 207 Daniels, Sarah. Plays: Two. Methuen. 264, chronology |
Performance of text | Samuel Beckett | SB
's Krapp's Last Tape, a play written originally in English for actor Patrick McGee or Magee
, was first performed by the English Stage Company
at the Royal Court
in London. Federman, Raymond, and John Fletcher. Samuel Beckett. University of California Press. 31 Parker, Peter, editor. The Reader’s Companion to Twentieth-Century Writers. Fourth Estate and Helicon. 59 |
Performance of text | Winsome Pinnock | WP
's play A Hero's Welcome had a rehearsed reading at the Royal Court Theatre
(Theatre Upstairs). Pinnock, Winsome. “Leave Taking”. First Run: New Plays by New Writers, edited by Kate Harwood, Nick Hern Books, pp. 139-89. 139 Aston, Elaine. Feminist Views on the English Stage: Women Playwrights, 1990-2000. Cambridge University Press. 129 |
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