Baxter, Jamie Reid. “Elizabeth Melville, Lady Culross: new light from Fife”. The Innes Review, Vol.
68
, No. 1, pp. 38-77. 40
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Intertextuality and Influence | Louisa Anne Meredith | Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)... |
Dedications | Louisa Anne Meredith | Louisa Anne Twamley (later LAM
) followed her Poems with several more books of verse on botanical themes. First came The Romance of Nature; or, The Flower Seasons, 1836, which again combines verse (about... |
Intertextuality and Influence | Elizabeth Melvill | Comments on Ane Godlie Dreame, though sparse, have been persistent. John Livingstone
recorded that she was famous for her dream anent her spirituall condition. Baxter, Jamie Reid. “Elizabeth Melville, Lady Culross: new light from Fife”. The Innes Review, Vol. 68 , No. 1, pp. 38-77. 40 |
Friends, Associates | Eliza Kirkham Mathews | |
Residence | Harriet Martineau | She designed it herself, and her recently-acquired friend Wordsworth
planted a tree in the grounds. (He also pitched in with her farming experiments.) The house was opposite Fox How, where her friend Thomas Arnold |
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett. 1: 263-4 |
Education | Una Marson | UM
's favourite subject was English literature. She particularly loved Wordsworth
, who inspired her to resolve not . . . to be a good wage earner, but enjoy plain living and high thinking and... |
Textual Production | Una Marson | The subject-matter of her contributions was dictated and limited by her editor, Dunbar T. Wint
, who did not believe that women had any place in the political or intellectual arena. UM
nevertheless found opportunities... |
Intertextuality and Influence | Anne Marsh | The elderly narrator of The Deformed is physician to the family of the Marquess of Brandon, in the little town of Carstones, which depends on the marquess and seems like an appendage to his castle... |
Textual Production | Anne Marsh | |
Textual Production | Anne Marsh | The title-page bore a creative misquotation from William Wordsworth
: She lived within her father's halls . . . And very few to love—which converts the rustic Lucy into an upper-class heroine like AM |
Intertextuality and Influence | Anne Manning | The title-page quotes William Wordsworth
. This is a deliberately quiet and humdrum book, set in the Midlands and centred on the elderly, unmarried Miss Hills of Bever Hollow, Althea and Kitty. Their sisterly relationship... |
Textual Production | Sara Maitland | SM
edited Very Heaven: Looking Back at the 1960s, a collection of essays on women in this radical decade whose title draws on William Wordsworth
's memory of being young and idealistic at the... |
politics | Isabella Lickbarrow | This indicates an active political conscience. Lord Lonsdale wielded his huge local power on behalf of the Tory Party. In February this year there were riots in Kendal when two sons of Lonsdale, standing as... |
Publishing | Isabella Lickbarrow | Subscribers included Wordsworth
, Southey
, and De Quincey
, all of them writers living in the area. Commentator Jonathan Wordsworth
suggests that the subscription list, which clearly took careful fund-raising work, may have been... |
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