Powell, Violet. The Constant Novelist. W. Heinemann, 1983.
81
Connections Sort descending | Author name | Excerpt |
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Performance of text | Muriel Box | MB
was still working as a continuity girl (responsible for keeping tracks of props and details of sets and shooting) when she wrote this play. It was apparently first professionally staged (as opposed to productions... |
Performance of text | Margaret Kennedy | Kennedy co-wrote this play with producer Basil Dean
. Opening night in London was a smashing success and a production in New York followed shortly afterwards, to similar acclaim. Powell, Violet. The Constant Novelist. W. Heinemann, 1983. 81 |
Reception | Felicia Hemans | FH
remained continuously in print throughout the Victorian period, but her critical reputation and popularity waned before its close and died with modernism. She lingered on in popular memory as the author of popular recitation... |
Reception | E. Nesbit | In 1915 EN
was granted a Civil List
pension of sixty pounds a year. She was pleased but not overwhelmed at this honour, and thought it ought not to have been taxed. Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson, 1987. 365-6 |
Residence | Amabel Williams-Ellis | Until a fire destroyed it in December 1951, the Williams-Ellises lived mainly at his family home, Plâs Brondanw in Portmeirion, North Wales, the village which Clough was recreating in the Italianate style. Guests at... |
Textual Features | Radclyffe Hall | The Well of Loneliness contains elements of the roman à clef. Two of its characters, Valérie Seymour and Jonathan Brockett, are based on Natalie Barney
and Noël Coward
. Cline, Sally. Radclyffe Hall: A Woman Called John. John Murray, 1997. 83, 269 |
Textual Production | Enid Bagnold | Despite the talented cast, the play was not a success and closed within a month. Taylor, Lib. “Early Stages: Women Dramatists 1958-68”. British and Irish Women Dramatists Since 1958: A Critical Handbook, edited by Trevor Griffiths and Margaret Llewellyn-Jones, Open University Press, 1993, pp. 9-25. 13 |
Textual Production | Muriel Box | Some of MB
's scriptwriting left almost no trace on the subsequent record of works produced communally. For instance, The Astonished Heart, released in 1950, is listed as a British film starring Noël Coward |
Textual Production | Gladys Henrietta Schütze | Another play about the theatre that she wrote, The Managing Director, brought her an overall bad experience. Its leading character was based on Fritzi Massary
, an Austrian operetta diva who had fled from... |
Theme or Topic Treated in Text | Muriel Box | The contributions they flagged with their own names on the title-page were called Strictly Personal and A—Zoo. A characteristic example of the former is a verse on Noël Coward
to the tune of My... |
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