Stern, G. B. . And did he stop and speak to you?. Henry Regnery, 1958.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Leisure and Society | G. B. Stern | In Berkshire she participated in local activities, like a Brains Trust in Wantage in aid of some good cause. Stern, G. B. . And did he stop and speak to you?. Henry Regnery, 1958. 62 |
Literary responses | Mollie Panter-Downes | On the publication of London War NotesNoël Coward
wrote to tell MPD
that her evocation of the city in wartime, nearly thirty years in the past, was so well done that he felt sodden... |
Literary responses | Rumer Godden | RG
told her sister that this book had only a mention of an animal—one cat—hardly any flowers and not a single live child. qtd. in Godden, Rumer. A House with Four Rooms. Macmillan, 1989. 240 |
Literary responses | G. B. Stern | See-Saw brought GBS
a fan letter from Noël Coward
, written from a hospital bed where he was the next-door neighbour of Geoffrey Holdsworth Lisle
(whom GBS
married five years later). Stern, G. B. Monogram. Chapman and Hall, 1936. 68 |
Literary responses | Irene Handl | Almost all responses to this novel quoted on the cover of its 1985 reprint use somewhere the word original. The Sioux was welcomed at its first appearance by Noel Coward
and by Daphne du Maurier |
Literary responses | Dodie Smith | The play was a critical success—the Times, the News Chronicle, and the Telegraph all thought it Smith's best to date, and DS
agreed with them. Noël Coward
wrote to her and her producer,... |
Literary responses | F. Tennyson Jesse | The Pelican also elicited positive reactions. Noël Coward
, for example, wrote to the authors that he had seldom been so moved by a play. It is perfectly written, perfectly constructed and perfectly acted. This... |
Literary responses | Edith Sitwell | Sitwell later wrote, the attitude of certain of the audience was so threatening that I was warned to stay on the platform, hidden by the curtain, until they got tired of waiting for me and... |
Literary responses | Sheila Kaye-Smith | The Times Literary Supplement perceived the protagonist as a man who in youth sacrifices the spiritual side of his life to the material. qtd. in Walker, Dorothea. Sheila Kaye-Smith. Twayne, 1980. 54 qtd. in Anderson, Rachel, and Sheila Kaye-Smith. “Introduction”. Joanna Godden, Dial, 1984, p. xi - xviii. xiv |
Literary responses | Edith Sitwell | It proved another of her best-sellers. Glendinning, Victoria. Edith Sitwell. Weidenfeld & Nicolson, 1981. 346 Hill, Rosemary. “No False Modesty”. London Review of Books, Vol. 33 , No. 20, 20 Oct. 2011, pp. 25-6. 26 |
Literary responses | Molly Keane | Like her first play, it again received admiring comparisons to Noel Coward
. |
Literary Setting | Muriel Spark | The novel is set in the country of MS
's now long-established residence, in Italy at Nemi, centre of the cult of the goddess Diana. It opens with radio news of the death of... |
Occupation | Margaret Haig Viscountess Rhondda | Women contributors ranged widely: Rebecca West
, Stella Benson
, Cicely Hamilton
, Members of Parliament Lady Nancy Astor
and Ellen Wilkinson
, Virginia Woolf
, Naomi Mitchison
, E. M. Delafield
, Rose Macaulay |
Occupation | Irene Handl | By the 1950s she was well-known, had branched out into the new medium of television, and was taking on roles of increased size and importance: for instance, on stage, the medium Madame Arcati in Noel Coward |
Occupation | Hélène Barcynska | As well as devoting steady time and effort to her writing, HB
founded a theatre company which she called Rogues and Vagabonds Repertory Players
, because she discovered the Welsh theatre culture and thought they... |
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