John Milton

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Standard Name: Milton, John

Connections

Connections Author name Sort ascending Excerpt
Textual Production Aldous Huxley
AH published another novel, Eyeless in Gaza, titled with a quotation in which the hero of Milton 's Samson Agonistes laments his enslaved condition.
Parker, Peter, editor. A Reader’s Guide to Twentieth-Century Writers. Oxford University Press.
357
Drabble, Margaret, and Jenny Stringer, editors. The Concise Oxford Companion to English Literature. Oxford University Press.
278
Watt, Donald, editor. Aldous Huxley: The Critical Heritage. Routledge and Kegan Paul.
245
Intertextuality and Influence Aldous Huxley
Its womanizing protagonist, Mr Hutton, considers himself the Christ of Ladies (reversing, with what he supposes to be worldly wit, the supposed nickname of Milton as the lady of Christ's).
Huxley, Aldous. Mortal Coils. Chatto and Windus.
3
His internal monologue...
Cultural formation Lucy Hutton
She was born into the English professional class: its upper ranks, if the motto on her published title-page is a family one. As befitting her marriage to a clergyman, she was a strong member of...
Textual Features Lucy Hutton
LH draws on a wide range of sources to buttress her argument. These include the results of her reading—Milton , and the story of the Greek Atalanta (whose male inventors, she says, were not...
Education Zora Neale Hurston
She also worked at the beginnings of her education. When she happened upon Milton 's Paradise Lost she devoured it, and she learned Gray 's Elegy in a Country Churchyard by heart in the course...
Intertextuality and Influence Mary Catherine Hume
The starting-point for the poem is the tradition (subtly questioned) of Sappho's suicide as an abandoned woman; this fact links the text to other responses to the topic by other women poets including Felicia Hemans
Intertextuality and Influence Catherine Hubback
CH heads her volumes and chapters with quotations. Wordsworth is the most-used here; among other lines, he is cited for A little onward lend thy guiding hand / To these dark steps, a little farther...
Intertextuality and Influence Felicia Hemans
The volume provides lavish notes to explain its sometimes quite obscure historical figures and settings, and cites a wide range of authors including Plutarch , Shakespeare , Milton , and Germaine de Staël . FH
Intertextuality and Influence Elizabeth Helme
The title-page quotes Milton 's Paradise Lost on conscience as the guide within.
Helme, Elizabeth. Clara and Emmeline. G. Kearsley.
title-page
The heroines named in the title are sisters: Clara Welford née Gower is already unhappily married to a rake and gambler...
Education Frances Ridley Havergal
FRH was an avid reader within limits: her selection of material was mostly dictated by her religious interests. After receiving a copy of a book about literary women she commented, The sad sketch of L. E. L.
Family and Intimate relationships Ann Hatton
Siddons was also an author: she published The Story of Our First Parents, Selected from Paradise Lost: For the Use of Young Persons, 1822 (to make Milton accessible for her children), and left unpublished...
Intertextuality and Influence Ann Hatton
This novel is well supplied with quotations: Macpherson 's Ossian on the title-page and Robert Blair (The Grave) to open the first volume, with Shakespeare and Milton for the succeeding volumes. It opens...
Intertextuality and Influence Ann Hatton
The title-page quotes Milton and an unidentified French writer. Each of the unusually long chapters (four to a volume) is headed by a summary and a quotation, often from Shakespeare or Byron or attributed only...
Intertextuality and Influence Jane Harvey
In addition to quotation from Milton , Pope , and Thomson , this book has a Sterne an flavour, with passages titled from sights (like The Theatre Royal and The Merchants's Court) alternating with...
Textual Features Jane Harvey
JH 's preface discusses the moral and artistic duties of the writer; she assumes that this person is male until she reaches the diffidence and timidity which in the bosom of a female writer is...

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