Lavoie, Chantel Michelle. Poems by Eminent Ladies: A Study of an Eighteenth-Century Anthology. University of Toronto.
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Connections Sort ascending | Author name | Excerpt |
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Literary responses | Charlotte Smith | The many editions of CS
's sonnets attest to their popularity. In one she mentions having to get back from friends the original manuscripts of poems which she had not bothered to keep. Her sonnets... |
Literary responses | Rose Macaulay | The prominent literary scholar Basil de Selincourt
, reviewing the book, wrote that it was in the Strachey
style, a little work of art, in its way, but inspired by the dangerous conscientiousness of disillusionment... |
Literary responses | Charlotte Smith | Wordsworth
chose Smith's sonnets, with Milton
's and his own, as domestic reading on Christmas Eve 1802. Thirty years later Coleridge spoke of the personal or egotistical elegiac form as standing at the heart of... |
Literary responses | Aphra Behn | The Gentleman's Magazine, in a piece called The Apotheosis of Milton, describes AB
trying unsuccessfully to get into Poets' Corner in Westminster Abbey. Lavoie, Chantel Michelle. Poems by Eminent Ladies: A Study of an Eighteenth-Century Anthology. University of Toronto. 126 |
Literary responses | Lady Jane Cavendish | Starr
pronounced in 1931: As a literary production, The Concealed Fansyes is practically without value.He noted its general and specific indebtedness to Ben Jonson
, asserted a likeness between its pair of brothers and... |
Literary responses | Sarah Flower Adams | Fox
describes the play in Lectures Addressed Chiefly to the Working Classes as one of the purest and loveliest specimens ever yet produced of the dramatic poem. Thesing, William B., editor. Dictionary of Literary Biography 199. Gale Research. 199: 6 |
Literary responses | Sarah Chapone | Mary Delany
said SCwould shine in an assembly composed of Tully
s, Homer
s, and Milton
s. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Literary responses | Emily Jane Pfeiffer | The Spectator review commented that in not a few of the sonnets . . . there are flights of imagination, to our minds, of which almost the greatest of English sonnet-writers might, and possibly would... |
Literary responses | Ethel M. Dell | In response to a compliment on her writing EMD
replied, they are not well written and will never be called classics. Dell, Penelope. Nettie and Sissie. Hamish Hamilton. 129 |
Literary responses | Edna St Vincent Millay | Her editor Eugene Saxton
wrote that the staff at Harper
were much moved by the emotional quality of the poems. Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House. 450 |
Literary responses | Florence Dixie | This book was widely reviewed in provincial and even American as well as London papers. The Leamington Spa Courier and Warwickshire Standard called it a real, living, human production, and one which must ever be... |
Leisure and Society | Mary Jones | |
Intertextuality and Influence | Maria De Fleury | Her poem is Miltonic
in style, with frequent echoes of Paradise Lost, although written in couplets. Accepting a designation applied to her by ideological enemies, MDF
opens by comparing herself to the biblical Deborah... |
Intertextuality and Influence | Elizabeth Barrett Browning | The title piece, A Drama of Exile, is the most ambitious. It visualises the consequences of the biblical Fall from paradise, since, as EBB
writes in the preface (where she casts herself, too, as... |
Intertextuality and Influence | Elizabeth Helme | The title-page quotes Milton
's Paradise Lost on conscience as the guide within. Helme, Elizabeth. Clara and Emmeline. G. Kearsley. title-page |
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