Huxley, Aldous. Mortal Coils. Chatto and Windus.
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Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Mary Ann Cavendish Bradshaw | There follows a fighting critical Dissertation Respecting Patrons and Dedications, which covers the issues of male disrespect for female authors, the tyranny of critics, and over-insistence on moral instruction (with Hannah More
's Coelebs... |
Intertextuality and Influence | Aldous Huxley | Its womanizing protagonist, Mr Hutton, considers himself the Christ of Ladies (reversing, with what he supposes to be worldly wit, the supposed nickname of Milton
as the lady of Christ's). Huxley, Aldous. Mortal Coils. Chatto and Windus. 3 |
Intertextuality and Influence | Mary Astell | How, she asks, can a Man respect his Wife when he has a contemptible Opinion of her and her Sex? Astell, Mary. The First English Feminist. Editor Hill, Bridget, St Martin’s Press. 111 |
Intertextuality and Influence | Margiad Evans | Several poems in A Candle Ahead invoke ME
's teachers: Milton
, Thomas Traherne
, Walter de la Mare
, and Thomas Hardy
, the theme of whose The Well-Beloved is that of her closing... |
Intertextuality and Influence | Adelaide Kemble | Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of... |
Intertextuality and Influence | Emily Frederick Clark | Quotations heading chapters come from Milton
and other mostly modern poets, including Charlotte Smith
and Mary Robinson
. Other inset poems may be EFC
's own. McLeod, Deborah. The Minerva Press. University of Alberta. |
Intertextuality and Influence | Elizabeth Hands | In Critical Fragments, on some of the English Poets (seven poets, all male), EH
wittily exercises an imitation which is far from flattery. She begins with Milton
, who in ponder'ous verse, moves greatly on... |
Intertextuality and Influence | Mary Robinson | MR
's preface quotes that of Charlotte Smith
to her Elegiac Sonnets. Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, pp. 19-64. 45 |
Intertextuality and Influence | Margaret Atwood | Jocelyn has in a distant past studied English literature and is occasionally disconcerting. Do you believe in free will?, she asks, out of the blue. Stan replies, How do you mean? Atwood, Margaret. The Heart Goes Last. Nan A. Talese / Doubleday. 119 |
Intertextuality and Influence | Eliza Kirkham Mathews | The novel which emerged from so much interference during composition is naive, exaggerated, and badly structured, but highly unusual, with great intensity in its writing. Its title-page quotes Thomas Holcroft
, and its epigraphs to... |
Intertextuality and Influence | Jane Harvey | |
Intertextuality and Influence | Frances Jacson | |
Intertextuality and Influence | Gladys Henrietta Schütze | The title phrase opens one of the best-known poems by scholar and poet Francis William Bourdillon
. GHS
quotes a stanza from it, along with other, more canonical poets from Ovid
through Milton
and Wordsworth |
Friends, Associates | Anne Grant | The most important friends of the young Anne MacVicar were Catalina Schuyler
(whom she calls Madame, and with whom her first bond was a shared love of Milton
) and the little girl Catalina... |
Family and Intimate relationships | Katherine Philips | KP
's maternal grandfather, Daniel Oxenbridge
, was a physician with an entry in the Oxford Dictionary of National Biography. Her uncle John Oxenbridge was a friend of Milton
and Marvell
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. under Daniel Oxenbridge Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
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