Drabble, Margaret. The Waterfall. Penguin.
130
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Occupation | Gustave Flaubert | One of the great practioners of literary realism, he shifted the European novel significantly towards naturalism. His influence ranged far, from literary friends such as Émile Zola
to writers in English, including Mary Elizabeth Braddon |
Intertextuality and Influence | Margaret Drabble | Imagery of postpartum fluidity, particularly lactation, characterizes the lovers' growing passion and the descriptions of female sexual desire and orgasm. The narrative alternates between a schizoid third-person dialogue Drabble, Margaret. The Waterfall. Penguin. 130 |
Literary responses | Victoria Cross | Contemporary reviews of Anna Lombard were largely, and somewhat predictably, condemnatory: the New York Times, for instance, found it to be entitled to be called a bold, or rather a brazen book, but it... |
Intertextuality and Influence | Marie Corelli | Ziska is openly critical of the writings of Zola
, while praising those of Lord Byron
. It also condemns the hypocrisy and destruction of Western imperialism at the fin de siècle: We take possession... |
Education | Colette | Colette wrote later of the way that a free and solitary childhood and adolescence, with plenty of opportunity to develop self-awareness and without any pressure to self-expression, had shaped her mind before the compulsion to... |
Literary responses | Kathleen Caffyn | While this novel enjoyed popular acclaim, it also attracted severe criticism. It was derided by reviewers in the Bookman, the Critic, and the Nation. The Critic reviewer ignored Gwen's final return to... |
Reception | Rhoda Broughton | An article by Eliza Lynn Linton
written in June 1887 (well after the ebbing of RB
's early, scandalous reputation) judged that her books were always essentially love-stories, and nothing else, Linton, Eliza Lynn. “Miss Broughton’s Novels”. Temple Bar, Vol. 80 , pp. 196-09. 203 |
Textual Production | Anita Brookner | AB
published an ambitious art-critical work: The Genius of the Future: Studies in French Art Criticism: Diderot
, Stendhal
, Baudelaire
, Zola
, The BrothersGoncourt
, Huysmans. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Features | Anita Brookner | Its subjects are Ingres
, Delacroix
and Antoine-Jean Gros
, Musset
, Baudelaire
, Edmond
and Jules Goncourt
, Zola
and Huysmans
. That is, AB
has returned to take a different view of the... |
Textual Production | Mary Elizabeth Braddon | Harvard
's Houghton Library
has a number of significant manuscripts by MEB
including notebooks as well as novels. The extensive collection of her printed titles and manuscripts owned by Robert Lee Wolff
of Harvard University |
Education | Mary Elizabeth Braddon | She knew France and the French language well. Not only did she use France as a setting and French literature as a resource for plots, and subscribe to Rolandi
's French circulating library, but she... |
Intertextuality and Influence | Mary Elizabeth Braddon | |
Textual Production | Mary Elizabeth Braddon | MEB
's triple-decker The Golden Calf, 1883, is a naturalistic study of alcoholism, while Phantom Fortune another from the same year, features a decadent orphaned heiress named Lady Lesbia, and is based in part... |
Textual Features | Mary Elizabeth Braddon | Wolff sees this novel as working out the Zola
theory of hereditary destiny. Wolff, Robert Lee. Sensational Victorian. Garland. 308 |
Education | Phyllis Bottome |
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