Kelly, Gary. Women, Writing, and Revolution 1790-1827. Clarendon.
33
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Sybille Bedford | The third rejected novel was the story of a young man working at a tedious business job in London who loves art and travel and the good life, who falls in with a powerful and... |
Intertextuality and Influence | Edith Wharton | After an epigraph from Goethe
(in German) EW
begins with her earliest memory, which she identifies with the birth of identity and relates in the third person, of the little girl who eventually became me... |
Intertextuality and Influence | Amy Levy | AL
acknowledged the influence on her poetry of Percy Bysshe Shelley
, Goethe
, Heine
, Robert Browning
, Swinburne
(whose poem Félise she answered in Félise to Her Lover), and James Thomson
(the... |
Intertextuality and Influence | Helen Maria Williams | This novel re-writes Rousseau
's Julie; ou, La nouvelle Héloise in the sentimental style of Frances Sheridan
's Sidney Bidulph or Henry Mackenzie
's Julia de Roubigné. Kelly, Gary. Women, Writing, and Revolution 1790-1827. Clarendon. 33 |
Intertextuality and Influence | Matilda Betham-Edwards | The poems are printed chronologically (by the author's desire rather than the editor's). MBE
's introduction says nothing about her subject's parentage or his life-history, but canvasses the issues involved in selecting from his poems... |
Intertextuality and Influence | Gertrude Stein | Critic Shirley Neuman
sees this opera as an important step towards the final version of Ida.GS
's Faustus (unlike Marlowe
's or Goethe
's) is tormented by the fact that he cannot go... |
Intertextuality and Influence | Helen Maria Williams | |
Intertextuality and Influence | Mary Elizabeth Braddon | Robert Lee Wolff
argues that this is one of MEB
's very best Wilkie Collins
-style investigations. Wolff, Robert Lee. Sensational Victorian. Garland. 243 |
Intertextuality and Influence | Maria Edgeworth | She designed it to combat the influence of romantic fiction, and to answer Germaine de Staël
's Delphine and Goethe
's Sorrows of Werther. Butler, Marilyn. Maria Edgeworth: A Literary Biography. Clarendon. 318-19 |
Intertextuality and Influence | Mary Elizabeth Braddon | Set on the coast of Devon fifty years earlier, it traces the fates of two strong characters: Methodist preacher and shopkeeper Joshua Haggard and his daughter Naomi. In the opening scene, Joshua rescues Oswald Pentreath... |
Intertextuality and Influence | Agnes Maule Machar | |
Intertextuality and Influence | Anna Brownell Jameson | The book is also a model of female erudition, peppered with foreign phrases, references to earlier Shakespeare critics, to the visual arts, and to other authors, including the ancient Greek dramatists and the German romanticists... |
Intertextuality and Influence | Anita Brookner | It carries an epigraph from Goethe
's Sorrows of Young Werther about the advantages and disadvantages of middle-class society and its codes of conduct. The number of central characters here is higher than in AB |
Intertextuality and Influence | Anne Francis | |
Intertextuality and Influence | Elizabeth Jolley |
No timeline events available.
No bibliographical results available.