Gérin, Winifred. Anne Thackeray Ritchie: A Biography. Oxford University Press.
30-1, 45
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Publishing | Elizabeth Robins | The Hogarth Press
printed, for private circulation only, ER
's Portrait of a Lady, or The English Spirit Old and New, a memoir of Elizabeth Yates Thompson
, the shy philanthropist daughter of publisher... |
Friends, Associates | Anne Thackeray Ritchie | Her father's closest friends were from the literary elite: the ProctersAnne Procter
and the CarlylesJane Welsh Carlyle
. ATR
was friends with Dickens
's daughters, particularly Kate Dickens
. Gérin, Winifred. Anne Thackeray Ritchie: A Biography. Oxford University Press. 30-1, 45 |
Textual Production | Anne Thackeray Ritchie | Thus she launched a distinguished literary career that lasted for almost six decades. Publisher George Smith
describes the ramshackle condition in which her work was usually delivered. Her copy for her books was a medley... |
Family and Intimate relationships | Adelaide Procter | AP
was reportedly engaged for a time in the later 1850s, but the identity of her suitor is not known. Publisher George Smith
records having admired her. He said that Charlotte Brontë
, when they... |
Publishing | Julia Kavanagh | She said she felt compelled to write this and some of her later works to fill a gap left by male historians and critics on the topic of women's influence: Though the historians of the... |
Publishing | Henrietta Camilla Jenkin | Her friend Elizabeth Gaskell
wrote to George Smith
of Smith, Elder
on 10 February 1859 to urge him to publish this novel, which, however, she declared she had not read. He sent her a copy... |
Friends, Associates | Elizabeth Gaskell | She meanwhile sustained her usual energetic and gossipy flow of correspondence with a wide range of literary and personal connections. She got caught up in the speculation surrounding the split between Effie
and John Ruskin |
Wealth and Poverty | Elizabeth Gaskell | She saved half of the price (£2,600) and borrowed the rest on a mortgage from her publisher George Smith
, all without her husband's knowledge. This suggests that despite the restrictions of Married Women's Property... |
Reception | Elizabeth Gaskell | EG
herself was abroad, and the crisis was handled by her husband
, her friend and lawyer William Shaen
, and George Smith
. A formal letter of apology was sent to the solicitors of... |
Publishing | George Eliot | This departure from her usual publisher, Blackwood
, was precipitated by a princely offer from George Smith
of the Cornhill of £10,000 (the largest offer ever, although they eventually settled on £7,000 for copyright over... |
Publishing | George Eliot | From very early in her writing of this novel (begun on New Year's Day 1862), she lived with an agonizing fear of failure. The fact of writing about characters whose native language was Italian made... |
Publishing | George Eliot | She had written it by 27 September 1860 and used it, like The Lifted Veil, as a receptacle for negative feelings after writing The Mill on the Floss. She let George Smith
of... |
Publishing | George Eliot | She contributed a few short non-fiction pieces to the Pall Mall Gazette after George Smith
started it up in 1865 with Lewes as advisor, and also that year wrote a long review of William Lecky |
Textual Production | Charlotte Brontë | CB
sent the final volume to her publishers on November 20th and panicked when she heard nothing from them, although a £500 cheque for the copyright arrived. As it emerged, George Smith
disliked the unromantic... |
Travel | Charlotte Brontë | CB
again visited the Smith
s in London, where she met a number of young female writers, among others Anne Thackeray
and Adelaide Procter
. Barker, Juliet. The Brontës. St Martin’s Press. 639-43 |
No bibliographical results available.