Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Louisa Anne Meredith | Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)... |
Intertextuality and Influence | Dorothy L. Sayers | The academic background gives DLS
an excuse for lavish literary quotation: from Greek, from Shakespeare
and other canonical writers, many of them Elizabethan, and from moderns like Humbert Wolfe
. Her Oxford
is the preserve... |
Intertextuality and Influence | Margaret Drabble | Imagery of postpartum fluidity, particularly lactation, characterizes the lovers' growing passion and the descriptions of female sexual desire and orgasm. The narrative alternates between a schizoid third-person dialogue Drabble, Margaret. The Waterfall. Penguin, 1971. 130 |
Intertextuality and Influence | Maria Theresa Longworth | Set during the Crimean War, the novel recounts the tragic love affair between the young nurse Thierna and Captain Cyril Etherington. Rosenman, Ellen Bayuk. Unauthorized Pleasures. Cornell University Press, 2003. 164 Longworth, Maria Theresa. Martyrs to Circumstance. R. Bentley, 1861, 2 vols. 95 |
Intertextuality and Influence | Emma Robinson | Finding hisprogress in a noble art Athenæum. J. Lection. 858 (1844): 311 |
Intertextuality and Influence | Sarah Kane | The language, entirely spare and unadorned, links the play on the one hand to contemporary television reports and on the other to the ancient mode of tragedy. Ian with his eyes put out unaffectedly recalls... |
Intertextuality and Influence | Ethel Mannin | Ragged Banners also addresses questions of genre. The text includes an index which lists on the one hand names of notable literary figures (including Ethel M. Dell
, T. S. Eliot
, and Shakespeare
... |
Intertextuality and Influence | Sarah Grand | This novel, like the others in the trilogy, is set in the fictionalised Norwich: Morningquest. SG
opened it with a quotation from Emilia in Shakespeare
's Othello, claiming the right and duty to... |
Intertextuality and Influence | Rachel Hunter | The preface opens by quoting Johnson
's view of Shakespeare
as the poet of nature who moved away from the universal reliance of dramatists on romantic love as the only motive for action. What a... |
Intertextuality and Influence | Mrs E. M. Foster | As an epistolary novel, Concealment lacks the characteristic metanarrative of other MEMF
novels, though an interesting prologue addressed to the reader from the Authoress cautions against the practice of concealment. Foster also identifies herself, in... |
Intertextuality and Influence | Elizabeth Strutt | The title-page quotes Shakespeare
: later on Pope
, Thomson
, Thomas Tickell
, Charles Cotton
, and others are quoted too. Characters include a seducer and promiser-breaker who dies in a duel. The central... |
Intertextuality and Influence | Mrs F. C. Patrick | MFCP
's title-page quotes Shakespeare
. Her novel is a first-person narrative by Augusta O'Flaherty, the child of a mixed marriage between an Irish squire of ancient Catholic stock and the violently anti-Irish daughter of... |
Intertextuality and Influence | Michelene Wandor | It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine? Wandor, Michelene. The Music of the Prophets. Arc Publications, 2006. 34 |
Intertextuality and Influence | Roxburghe Lothian | RL
sets out to portray Dante and Beatrice's relationship in the context of the social and political conditions that surrounded them, while simultaneously arguing that the Divina Commedia emerged from this real love, this... |
Intertextuality and Influence | Mary Stewart | The novel is set in southern France: the action begins in Avignon and concludes in Marseilles. Epigraphs to chapters range through the traditional English literary canon—Chaucer
, Spenser
, Shakespeare
, Robert Browning |
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