Edith Craig
-
Standard Name: Craig, Edith
Birth Name: Ailsa Edith Geraldine Craig
Nickname: Edy
Self-constructed Name: Ailsa Craig
EC
was primarily a theatre practitioner, known chiefly for her Pioneer Players
, the women's theatre company she founded in 1911. Her literary output was scant. She published a handful of articles on stagecraft, and contributed to a revised edition of her mother Ellen Terry
's memoirs. She also wrote one unpublished play for children. Her unpublished papers—correspondence, prompt books, and playbills—document her significant contribution to feminist theatre history.
Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Family and Intimate relationships | Christopher St John | CSJ
's life was changed when Edith Craig
died (after almost fifty years together) at Priest's House, the home they had shared with Tony Atwood. Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell. 181, 229 Glendinning, Victoria. Vita. Penguin. 349 Holledge, Julie. Innocent Flowers: Women in the Edwardian Theatre. Virago. 153 |
Textual Production | Christopher St John | CSJ
gave her love journal, The Golden Book, to Edith Craig
; it depicted some of her more intimate feelings for Craig. Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell. 24, 71 |
Textual Production | Christopher St John | CSJ
wrote a biographical introduction to Edy: Recollections of Edith Craig, edited by Eleanor Adlard
. The University of Alberta
Library copy contains a handwritten note from CSJ
that reads: To Christopher Wood
In... |
Cultural formation | Christopher St John | At some point after CSJ
met her long-time partner Edith Craig
, she converted from her family's Anglicanism
to Roman Catholicism
. Auerbach, Nina. Ellen Terry: Player in Her Time. W.W. Norton. 389 Glendinning, Victoria. Vita. Penguin. 250 |
Cultural formation | Christopher St John | She had since childhood, apparently, believed that she ought have been male because of her love for women. According to Ellen Terry's biographer Nina Auerbach
: Many lesbians of that period gave themselves men's names... |
Friends, Associates | Christopher St John | Christabel Marshall (later CSJ
) met the actress Ellen Terry
and her daughter Edith Craig
; they soon became intimate friends. Auerbach, Nina. Ellen Terry: Player in Her Time. W.W. Norton. 480 |
Residence | Christopher St John | After leaving 7 Smith Square, CSJ
and Edith Craig
moved to Adelphi Terrace House. Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell. 61-2 |
Performance of text | Vita Sackville-West | VSW
gave a reading of The Land at the Barn Theatre at Smallhythe, run by Edith Craig
and Christopher St John
. Glendinning, Victoria. Vita. Penguin. 251 |
Textual Production | George Paston | GP
's Clothes and the Woman: A Comedy in Three Acts was first produced by the Pioneers
at the Imperial Theatre
. These Pioneers are not the same group as Edith Craig
's feminist Pioneer Players
. Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press. 875 Kaplan, Joel H., and Sheila Stowell. Theatre and Fashion: Oscar Wilde to the Suffragettes. Cambridge University Press. 164 |
Performance of text | Edith Lyttelton | Edith Craig
's Pioneer Players
mounted a production of Two Pierrots, EL
's adaptation of Rostand
's play Les deux Pierrots (which has been described as a curtain-raiser), at London's Little Theatre
. Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press. 797 Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Performance of text | Constance Holme | CH
's dialect play The Home of Vision (one of her only two dramatic pieces to be performed in London over the course of her career) was acted by Edith Craig
's Pioneer Players
. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Performance of text | Cicely Hamilton | The premiere of CH
's suffrage drama A Pageant of Great Women, with direction and some collaboration by Edith Craig
, was given at the Scala Theatre
in London. Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell. 220 Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell. 82-3 Cockin, Katharine. “Cicely Hamilton’s Warriors: dramatic reinventions of militancy in the British women’s suffrage movement”. Women’s History Review, Vol. 14 , No. 3/4, pp. 527-42. 529 |
Performance of text | Cicely Hamilton | CH
's performance piece known as The Anti-Suffrage Waxworks was taken on tour by Edith Craig
for the Actresses' Franchise League
. Demastes, William W., and Katherine E. Kelly, editors. British Playwrights, 1880-1956. Greenwood Press. 193 Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell. 100 |
Performance of text | Cicely Hamilton | Jack and Jill and a Friend, CH
's comic drama about the difficulties of being a woman writer, was performed by the Pioneer Players
at the Kingsway Theatre
in London, directed by Edith Craig
. Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell. 221 Whitelaw, Lis. The Life and Rebellious Times of Cicely Hamilton. Women’s Press. 124-5 |
Leisure and Society | Cicely Hamilton | A striking photographic portrait of CH
by Lena Connell
, taken in 1912, is now in the National Portrait Gallery
. Williams, Val, and Susan Bright. How We Are: Photographing Britain. Tate Publishing. 78 |
Timeline
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Texts
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