Concanen, Matthew, editor. The Flower-Piece. Walthoe.
130
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Anna Maria Mackenzie | Dryden
's Virgil
translation supplies an epigraph for the title-page. An authorial Advertisement, apologetic in tone, says the book will be realistic, moral, and well-intentioned. Louisa Jenkins writes the first letter while staying with her... |
Intertextuality and Influence | Judith Cowper Madan | The poem in its later version, headed with a quotation from Virgil
, opens: Unequal, how shall I the search begin, / Or paint with artless hand the awful scene? Concanen, Matthew, editor. The Flower-Piece. Walthoe. 130 |
Intertextuality and Influence | Edith Templeton | |
Intertextuality and Influence | Mrs Martin | Indeed, as in MM
's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator... |
Intertextuality and Influence | Catharine Parr Traill | Many of CPT
's early works were published with the Quaker publishing firm Harvey and Darton
. Peterman sees in these works the influence of Virgil
, Izaak Walton
, Mary Russell Mitford
, and Gilbert White
. New, William H., editor. Dictionary of Literary Biography 99. Gale Research. 332 |
Intertextuality and Influence | Henrietta Rouviere Mosse | The widely varied quotations heading the chapters include some in Latin (Virgil
, Cicero
, Lucretius
, Horace
) and some in French (Rousseau
, Voltaire
, Marmontel
, and Manon Roland
). The English writers quoted include Mary Robinson
. McLeod, Deborah. The Minerva Press. University of Alberta. |
Intertextuality and Influence | Hélène Cixous | HC
underlines her argument by examining myth. The mythical image of Perseus before the Medusa is invoked to describe a male fear of woman, and she calls women the dark region of men's world, saying:... |
Intertextuality and Influence | Seamus Heaney | The title refers to, and applies to poems about, family relationships (often those spanning generations), literary relatedness over still larger spans of time, and links between the human and other parts of the creation. In... |
Literary responses | Arabella Shore | Oscar Wilde
offered slightly faint praise. AS
, he wrote, had tried to guide modern readers through Dante's great poem as Virgil
guided Dante through the afterworld, and her modest literary guide-book was unlike many... |
Literary responses | Anne Francis | Critic Jacqueline M. Labbe
has discussed the first poem in this volume, Saham Gardens (at Saham Toney in Norfolk). She approved AF
's claiming the garden for specifically female power and delighting in her... |
Literary Setting | Lady Charlotte Bury | Opening in Lyons, the story moves through a whole list of places personally known to LCB
: England (where Bertha goes to be a governess after her husband deserts her), Scotland, Switzerland... |
Occupation | R. D. Blackmore | He published several volumes of poetry and translated works by Theocritus
and Virgil
. He found the occupation of novelist extremely profitable, and used most of his revenue from writing to fund his horticultural endeavours... |
Occupation | Frances Arabella Rowden | FAR
was clearly a key element, perhaps the key element, in the success of the Hans Place school. She taught the general curriculum there for nearly twenty-five years, from its founding until 1818, and she... |
Publishing | Penelope Lively | PL
's more recent work for children includes almost every imaginable kind of fiction. Some of her titles are futuristic, like Judy and the Martian, 1992, and A Martian Comes to Stay, 1995.... |
Textual Features | Alexander Pope | Pope's thesis here (for which he evades responsibility by attributing it to Blount
) is that women are too changeable to have any lasting character or personality. The fickleness of women was of course a... |
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