Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Connections
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Charlotte Guest | One of CG
's admirers was Tennyson
, who was soon to become Poet Laureate. He re-told one of her tales in Idylls of the King. |
Intertextuality and Influence | Frances Cornford | Cornford dedicated the book to the memory of her old friend and mentor, Cornford, Frances. Collected Poems. Cresset Press. 5 |
Intertextuality and Influence | Agnes Maule Machar | |
Intertextuality and Influence | Lady Charlotte Elliot | The volume includes the titular long poem Stella, about the doomed love between an Italian patriot and the daughter of a nobleman, which critic Francis O'Gorman
describes as echoing Tennyson'sMaud (published twelve years... |
Intertextuality and Influence | Sarojini Naidu | The story of its publication has been told by Arthur Symons
and Edmund Gosse
, and their accounts reveal considerable English intervention to bring out the Indian aspects of her work. At the age of... |
Intertextuality and Influence | Lady Margaret Sackville | LMS
's earliest works, which emerged from a romantic sense of beauty, defined her for decades of readers. In the first phase of her writing career, from 1900 to about 1915, she sought the delicate... |
Intertextuality and Influence | Laura Ormiston Chant | Verona's title poem embeds a number of lyrics within its novelistic structure. Tennyson
's influence is particularly apparent in Serenada, which opens: Now folds the cistus, now / The lemon-blossom sleeps Chant, Laura Ormiston. Verona and Other Poems. David Stott. 50 |
Intertextuality and Influence | Louisa Stuart Costello | LSC
was apparently inspired by the same Italian poem (Cento Novelle Antiche) that inspired Tennyson
's The Lady of Shalott three years later. Simpson, Roger. “Costello’s ’The Funeral Boat’: An Analogue of Tennyson’s ’The Lady of Shalott’”. Tennyson Research Bulletin, Vol. 4 , No. 3, pp. 129-31. 129 |
Intertextuality and Influence | Anne Marsh | Edmund, narrator of this novel, is another old man: cautious, hierarchically minded, yet remembering his past as a young radical. He fell in love with Clarice de Vere —whose name recalls Tennyson
's Lady Clara... |
Intertextuality and Influence | Matilda Hays | Woven into the novel is considerable commentary on the art, music, and literary productions of the day. Quotations are given from or allusions made to a wide range of authors including Tennyson
, Longfellow
(used... |
Intertextuality and Influence | Laura Ormiston Chant | The novel takes place in the ugly town Chant, Laura Ormiston. Sellcuts’ Manager. Grant Richards. 9 |
Intertextuality and Influence | Felicia Hemans | Some of the poems in Records of Woman have recently been embraced by certain scholars (including Isobel Armstrong
in Victorian Poetry: Poetry, Poetics and Politics, who discusses them alongside poems by L. E. L. |
Intertextuality and Influence | Edith Sitwell | ES
loved Christina Rossetti
from her childhood, and later thoroughly admired Gertrude Stein
. As a young woman, however, she believed: Women's poetry, with the exception of Sappho
. . . and Goblin MarketChristina Rossetti
and... |
Intertextuality and Influence | Dinah Mulock Craik | Her most commonly printed poem, Philip My King, anticipates, using biblical imagery, the entire life of her godson Philip Bourke Marston
. Mitchell, Sally. Dinah Mulock Craik. Twayne. 95 |
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett. 1: 263-4 |
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