Strutt, Elizabeth. The Feminine Soul. J. S. Hodson.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Elizabeth Strutt | Women, says ES
, must be essentially equal with men since both are made in God's image. But women's existing social position Strutt, Elizabeth. The Feminine Soul. J. S. Hodson. 1 |
Intertextuality and Influence | Anita Desai | Influenced by Eliot
's Four Quartets, Clear Light of Day deals with time as destroyer and preserver, and with what the bondage of time does to people. Gopal, N. Raj. A Critical Study of the Novels of Anita Desai. Atlantic Publishers and Distributors. 90 |
Intertextuality and Influence | Alice Meynell | The forty poems date from the last five years before publication. Their styles are derivative. Song of the Day to the Night is reminiscent of Shelley
, Soeur Monique of Wordsworth
, An Unmarked Festival... |
Intertextuality and Influence | Maggie Gee | MG
was six when her five-page, semi-illegible saga on the life of an Indian woman teapicker won third prize in the Typhoo Tea
Handwriting Competition (which despite its name must, she says, have disregarded writing... |
Intertextuality and Influence | Patricia Wentworth | Though the Feminist Companion says that Miss Silver is a character [i]n the mould of Agatha Christie
's Miss Marple, she actually predates Miss Marple by two years. She is a former governess who now... |
Intertextuality and Influence | Maggie Gee | Her central figure, Alfred White, a park-keeper in a London borough based on that of Brent, is an old-fashioned ex-soldier who combines integrity, compassion, and intense pride in his job, with a violent temper... |
Intertextuality and Influence | Charlotte Eliza Humphry | In the preface, CEH
explains that her Manners for Women was met with such a kindly reception that I am encouraged to follow it up with the present little volume. Humphry, Charlotte Eliza. A Word to Women. James Bowden. preface |
Intertextuality and Influence | Patricia Wentworth | This classic story opens with Rachel Treherne, unmarried and in her thirties, coming in a state of acute anxiety to consult Miss Silver at the latter's home, which is also her office. Rachel's colouring should... |
Intertextuality and Influence | Isabella Beeton | Notwithstanding the putative focus on management, the bulk of the 44-chapter book is taken up with discussion of food, from the chapters on Arrangement and Economy of the Kitchen and Introduction to Cookery to the... |
Intertextuality and Influence | George Douglas | People in Cherry Garth think Denis strange and unladylike; Celia dissembles her jealousy, but does not forgive; Denis's only sympathiser is the Jewish farmer Octave Von Donop, a close friend of Tom's and another avowed... |
Intertextuality and Influence | Elinor Glyn | Whereas on love EG
sounds overwhelmingly passionate, on marriage she sounds noticeably cynical. In a section of the book devoted to the question, Why Marriage is Often a Failure, she suggests that because marriage... |
Intertextuality and Influence | Christina Rossetti | Her early work and the passages she copied into her mother's commonplace-book show the influence of Tennyson
and Wordsworth
; she also acknowledged the impact of Gray
and Crabbe
, and wrote several poems inspired... |
Intertextuality and Influence | Edna St Vincent Millay | |
Intertextuality and Influence | Isa Blagden | A Model and a Wife has a principal cast of three: John Herbert, a solitary English painter living in Rome in ill health; Nell Spencer, a young English heiress (once an abandoned orphan in India... |
Intertextuality and Influence | Isa Blagden | The final line invokes Wordsworth
's The Female Vagrant, andIB
also echoes Thomas Hood
's Bridge of Sighs and the more general iconography of the fallen woman. This treatment of what it meant... |
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