Skemp, Sheila L. Judith Sargent Murray. A Brief Biography with Documents. Bedford Books.
137
Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | A. Woodfin | She learns to condemn her parents' treatment of her when she boards in a family who deliberately favour the ugly, deformed one of their young twins, to redress the balance. She feels a great relief... |
Intertextuality and Influence | Eliza Haywood | This was the first periodical for women to take advantage of the monthly format, which was still fairly new. Unlike other magazines, it used fiction as its staple, while also including advice on behaviour, relationships... |
Intertextuality and Influence | Lady Mary Wortley Montagu | Her widow is President of a club of widows which had featured in the recent number 561, by Addison
. Montagu's heroine, sold into marriage at an early age, has resolved to exploit as the... |
Intertextuality and Influence | Judith Sargent Murray | In her usual formal style, which she does not adapt to the more usual conventions of epistolarity, she says it would be useless for her to give Winthrop the current domestic, and commercial intelligence, Skemp, Sheila L. Judith Sargent Murray. A Brief Biography with Documents. Bedford Books. 137 |
Intertextuality and Influence | Barbara Hofland | The title-page quotes Francis Bacon
and Joseph Addison
. Butts, Dennis. Mistress of our Tears, A Literary and Bibliographical Study of Barbara Hofland. Scolar Press. 68 |
Intertextuality and Influence | Sarah Murray | This volume opens with The Plan of a School, and then, continuing a story-line from volume one, with Mrs Wheatley's demanding of Miss Le Maine how she can use rouge and plume herself on... |
Intertextuality and Influence | Jane Johnson | The poem is headed with a quotation from Psalm 19: The Heavens declare the Glory of God, & the Firmament showeth his handy work—the same psalm which Addison
had famously rendered as The spacious... |
Intertextuality and Influence | Sarah Pearson | An introductory address To the Reviewers urges them (with the trembling deemed appropriate for a woman writer) not to read the book in the morning but in the period of good humour after dinner. Pearson, Susanna. The Medallion. G. G. and J. Robinson. 1: 7-8 |
Intertextuality and Influence | Mary Ann Kelty | |
Intertextuality and Influence | Mary Savage | The opening poem, Nothing New, situates the anxieties of authors in regard to critics in the tradition of anxieties of lovers: both are right to be anxious. The contents include an English translation of... |
Intertextuality and Influence | Constance Smedley | By now Samuel is changing. He likens Johanna to Blake
, whom she has quoted, though he has hitherto admired the balance and rationality of Addison
. Smedley, Constance. Justice Walk. G. Allen and Unwin. 136, 249 |
Literary responses | Delarivier Manley | |
Occupation | John Milton | As to poetry, Paradise Lost was quickly recognised as a classic. In 1674, while it was still a very recent text, Dryden
praised it as undoubtedly one of the greatest, most noble, and most sublime... |
Reception | Eliza Haywood | In 1795, by which time the novel was generally disapproved as coarse and sexually explicit, a correspondent of the Eleanor Butler
and Sarah Ponsonby
defended it in terms which acknowledged its indelicate language and its... |
Reception | Elizabeth Helme | The Critical reviewed this novel two months after publication. It goes unmentioned by Virgil B. Heltzel
in Fair Rosamond. A Study of the Development of a Literary Theme, 1947. Those preceding Helme in treating... |
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