Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto.
353-60
Connections Sort descending | Author name | Excerpt |
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Textual Production | Hannah Glasse | This publication history shows the nature of the unfettered, cut-throat publishing world of the mid eighteenth century. John Exshaw
of Dublin, where in 1762 neither the Eales nor the Glasse work had appeared, had probably... |
Textual Production | Hester Mulso Chapone | As a member of the Richardson
circle, his informal core committee of collaborators on his second and third novels, Hester Mulso had some influence on the shaping of Clarissa, both through face-to-face conversation and... |
Textual Production | Eliza Haywood | EH
was early in the field of adverse comment on Samuel Richardson
's Pamela, with a burlesque fiction, Anti-Pamela; or, Feign'd Innocence Detected. Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto. 353-60 Haywood, Eliza. “Introduction and Chronology of Events in Eliza Haywood’s Life”. The Injur’d Husband, or, The Mistaken Resentment; and, Lasselia, or, The Self-Abandon’d, edited by Jerry C. Beasley, University Press of Kentucky, p. ix - xlii. xli |
Textual Production | Frances Sheridan | At about the same age she wrote two sermons, now lost. Eugenia and Adelaide was surreptitiously written, because of her father's dislike of women's scribbling. Frances wrote enough for two volumes, on paper purloined... |
Textual Production | Anna Seward | In a letter to Humphry Repton
of February 1786 AS
made it clear that she expected cultivated people to disapprove of novels in general, though she admitted that Richardson
's Clarissa was in a different... |
Textual Production | Sarah Fielding | SF
's The History of the Countess of Dellwyn was published in an edition of a thousand copies by Andrew Millar
, and printed by Samuel Richardson
. Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, p. vii - xli. xl |
Textual Production | Emma Tennant | Like a Daniel Defoe
or Samuel Richardson
, she professes to be only the editor of her protagonist's own text. |
Textual Production | Hester Mulso Chapone | HMC
's surviving letters span the years both before and after her marriage. Apart from her best-known letters, exchanged with Richardson
himself, Richardson's circle, and other Bluestockings of the original generation, she corresponded with Frances Burney |
Textual Production | Eliza Haywood | The second volume followed on 26 October 1725. Both were published at Dublin as well; both apparently circulated in manuscript before publication. Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto. 211-12, 213 Gerrard, Christine. Aaron Hill: The Muses’ Projector 1685-1750. Oxford University Press. 88 |
Textual Production | Eliza Haywood | It is not clear whether a first edition was published and read out of existence; in any case, no known copy survives. It may be that the collection's first appearance was the one called the... |
Textual Production | Sheila Kaye-Smith | SKS
edited for the Regent Library a selection from the works of Samuel Richardson
. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. Walker, Dorothea. Sheila Kaye-Smith. Twayne. 15 |
Textual Production | Sarah Fielding | Begun in mockery of Richardson
's Pamela, Joseph Andrews developed into a new kind of novel, the comic epic poem in prose. Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, p. vii - xli. xxxviii |
Textual Production | Lady Eleanor Butler | Sarah Ponsonby bequeathed the journals to Caroline Hamilton
, and Harriet Pigott
therefore supposed that they were written by Ponsonby
. Butler, Lady Eleanor et al. “Foreword and Editorial Materials”. The Hamwood Papers of the Ladies of Llangollen and Caroline Hamilton, edited by Eva Mary Bell, Macmillan, p. vii - viii; various pages. vii |
Textual Production | Anne Grant | The future AG
addressed to Harriet Reid
a letter written to the moment in the Richardsonian
style, bit by bit throughout the day. Grant, Anne. Letters from the Mountains. Longman, Hurst, Rees, and Orme. 1: 6-22 |
Theme or Topic Treated in Text | Sheila Kaye-Smith | Here she relates significant moments in her life to what she was reading at the time. She says that her reading, directed at first by chance and the choices of others, later moved towards what... |
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