Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Deborah Levy | The British Council
website on writers points out that despite its slangy style and up-to-the-minute references (contemporary, bathetic and very funny), this work has its structural roots in medieval poetic dialogues, in the... |
Textual Features | C. E. Plumptre | Bruno's conversion from Catholicism to Pantheism is described in a sexual analogy: Night after night he would steal out, moved by the same thoughts, penetrated by the same rapture . . . The more ardently... |
Textual Features | Gertrude Bell | Hafiz, who mixed orthodox Islam with Sufism, is considered heretical for his ideas about God's nature and for his celebration of drinking alcohol as a religious practice. GB
was especially impressed by his love poetry... |
Textual Features | Frances Arabella Rowden | An advertisement (dated at Iver in Buckinghamshire on 3 September 1820) Rowden, Frances Arabella. A Biographical Sketch of the Most Distinguished Writers of Ancient and Modern Times. 1829. 1829, iv |
Textual Features | Seamus Heaney | The title poem, wrote a critic some years later, wrestled towards a vision of poetic transcendence in the person of James Joyce
, TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 4601 (7 June 1991): 28 |
Textual Features | Julia O'Faolain | This novel is set in a villa in Tuscany, which is known for having been the setting for a sixteenth-century (published) dialogue on love. At the present moment of history a comparable dialogue is... |
Textual Features | Mary Cholmondeley | MC
details the various manuscripts left by Hester: a journal describing everything she read, a journal about bee-keeping, and a notebook containing brief biographies of important figures, as well as notebooks of quotations, poetry, and... |
Textual Features | Caroline Clive | Much of this poem is Dante
sque in its style. Partridge, Eric Honeywood. “Mrs. Archer Clive”. Literary Sessions, Scholartis Press, 1932. 122 |
Textual Production | Elizabeth Smith | One month before writing this poem Elizabeth Smith
met Mary Hunt
, with whom she was soon maintaining a scholarly correspondence. In the earliest letter which Bowdler prints (written on 7 July 1792), Smith touches... |
Textual Production | Anne Ridler | AR
's earliest translations were from Italian, of Dante
and Eugenio Montale
. She first thought of translating a libretto for performance when she was asked to do so by Jane Glover
, who later... |
Textual Production | Arabella Shore | AS
published Dante
for Beginners. A Sketch of the "Divina Commedia" with Translations, Biographical and Critical Notices, and Illustrations. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Margaret Gatty | Although her daughter says that her interest in literature (like that in science) came much later than her childhood enthusiasms for drawing, calligraphy, and scholarship, Margaret Scott (later MG
) at seventeen so admired Dante |
Textual Production | Dorothy L. Sayers | DLS
published the first of her three-part translation of Dante
's Divine Comedy into English verse: Cantica I: Hell. Gilbert, Colleen B. A Bibliography of the Works of Dorothy L. Sayers. Macmillan, 1978. 109 British Book News. British Council. (1950): 197 |
Textual Production | Sally Purcell | Her further translations included many poems which were printed in her own volumes of verse, as well as selections from Charles of Orleans
and Gaspara Stampa
, Literature in the Vernacular (a rendering of Dante |
Textual Production | Dorothy L. Sayers | DLS
published the second instalment of her verse translation (with her introduction) of Dante
's Divine Comedy: Cantica II: Purgatory. Gilbert, Colleen B. A Bibliography of the Works of Dorothy L. Sayers. Macmillan, 1978. 117 British Book News. British Council. (1955): 1189 |
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