Gilbert, Colleen B. A Bibliography of the Works of Dorothy L. Sayers. Macmillan.
109
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Textual Production | Dorothy L. Sayers | DLS
published the first of her three-part translation of Dante
's Divine Comedy into English verse: Cantica I: Hell. Gilbert, Colleen B. A Bibliography of the Works of Dorothy L. Sayers. Macmillan. 109 British Book News. British Council. (1950): 197 |
Textual Production | Dorothy L. Sayers | DLS
published the second instalment of her verse translation (with her introduction) of Dante
's Divine Comedy: Cantica II: Purgatory. Gilbert, Colleen B. A Bibliography of the Works of Dorothy L. Sayers. Macmillan. 117 British Book News. British Council. (1955): 1189 |
Textual Production | Dorothy L. Sayers | The third section of DLS
's translation of Dante
's Divine Comedy—Cantica III: Paradise—was published posthumously; Barbara Reynolds
completed those parts that Sayers had not finished when she died. Gilbert, Colleen B. A Bibliography of the Works of Dorothy L. Sayers. Macmillan. 121 |
Textual Production | Dorothy L. Sayers | DLS
published Introductory Papers on Dante, which she followed in 13 December 1957 with Further Papers on Dante. British Book News. British Council. (1955): 765; (1957): 505 TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 2759 (17 December 1954): 823; 2911 (13 December 1957): 762 |
Author summary | Dorothy L. Sayers | DLS
is best-known as a pre-second-world-war detective novelist, particularly as the creator of Lord Peter Wimsey and Harriet Vane. But the financial success she enjoyed from these novels permitted her to turn to other genres... |
Textual Production | Vita Sackville-West | VSW
followed her Behn biography two years later with Andrew Marvell, to open Faber and Faber
's series The Poets on the Poets (in which the second volume was provided by Eliot
writing on Dante
). Glendinning, Victoria. Vita. Penguin. 222 |
Textual Features | Frances Arabella Rowden | An advertisement (dated at Iver in Buckinghamshire on 3 September 1820) Rowden, Frances Arabella. A Biographical Sketch of the Most Distinguished Writers of Ancient and Modern Times. 1829, iv |
Publishing | Christina Rossetti | In 1856, CR
published an historical short story, The Lost Titian, in The Crayon, a small magazine published in New York. Smulders, Sharon. Christina Rossetti Revisited. Twayne. 100 Marsh, Jan. Christina Rossetti: A Writer’s Life. Viking. 176-9 |
Intertextuality and Influence | Christina Rossetti | The most highly-regarded piece in this collection is Monna Innominata: A Sonnet of Sonnets (whose title means that it has as many poems as a sonnet has of lines). CR
's preface to this sequence... |
Family and Intimate relationships | Christina Rossetti | At first a private tutor of Italian, Gabriele gained some prestige but no direct financial advantage when he was appointed Professor of Italian at King's College
(founded in August 1829). Rossetti, Christina. “Memoir; Notes”. The Poetical Works of Christina Georgina Rossetti, edited by William Michael Rossetti, Norwood, pp. xlv - lxxi; 459. xlv-xlvi |
Family and Intimate relationships | Christina Rossetti | |
Education | Christina Rossetti | From 1878 to 1880, she took classes on Dante
's Divine Comedy at University College, London
, perhaps in part because she was helping Alexander Grosart
to trace references from Italian poets for his edition... |
Intertextuality and Influence | Christina Rossetti | Her early work and the passages she copied into her mother's commonplace-book show the influence of Tennyson
and Wordsworth
; she also acknowledged the impact of Gray
and Crabbe
, and wrote several poems inspired... |
Textual Production | Anne Ridler | AR
's earliest translations were from Italian, of Dante
and Eugenio Montale
. She first thought of translating a libretto for performance when she was asked to do so by Jane Glover
, who later... |
Intertextuality and Influence | Dorothy Richardson | Gloria Fromm
links The Tunnel with Dante
's Divine Comedy, because it is divided into thirty-three chapters (the number of Dante's cantos), and contains similar repeated phrases, such as the inner circle,the outer... |
No timeline events available.
No bibliographical results available.