Robert Burns

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Standard Name: Burns, Robert

Connections

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Intertextuality and Influence Charlotte Nooth
The novel combines domestic humour and social satire. The courtship of Eglantine Fortescue and the young officer Augustus Fitzroy is almost overshadowed by the broad-brush picture of their families and friends. Eglantine incurs disapproval first...
Intertextuality and Influence Maria Riddell
Robert Burns helped her to achieve publication, writing to the Edinburgh printer and man of letters William Smellie on 22 January 1792 that her poems were always correct and sometimes elegant, very much beyond the...
Intertextuality and Influence Frances Jacson
Chapters are headed with a lavish array of quotations. Among the better-known authors are Ariosto (in the original), Shakespeare , Drayton , Milton , Pope (on the title-page), Young , Gray , Collins , Johnson
Intertextuality and Influence Frances Browne
FB began writing at the age of seven, when, inspired by her great and strange love of poetry, she attempted to re-write The Lord's Prayer in verse.
Browne, Frances. The Star of Attéghéi; the Vision of Schwartz; and Other Poems. Edward Moxon.
xvi-xvii
She continued to write throughout her childhood...
Intertextuality and Influence Elizabeth Sarah Gooch
ESG quotes a stanza from Burns 's A Prayer in the Prospect of Death on her title-page, and says she can offer her reader no ghosts or artificial terrors.
Gooch, Elizabeth Sarah. Fancied Events. George Cawthorn.
1: iv
She takes up...
Intertextuality and Influence Liz Lochhead
The Recitations (poems in which the speaking voice is crucial, most of them sharply Scots-vernacular comments on sexual or gender relations) include the title piece, Bagpipe Muzak, Glasgow 1990. This laments (in a nice...
Intertextuality and Influence Liz Lochhead
The play was written for the Royal Lyceum Theatre Company , who first performed it in Edinburgh on 24 January 1986. Lochhead surprised herself with her use of the Scots language: my grandmother's ....
Intertextuality and Influence Ann Batten Cristall
The preface expresses admiration for both Burns and George Dyer . ABC stresses her lack of education (which, critic Richard C. Sha argues, associates herself with lower-class writers like William Blake and Henry Kirke White
Intertextuality and Influence May Crommelin
The book is headed with romantic lines from Thomas Davies [sic] about successive migrants and visitors to Ireland, from the brown Phoenician to the iron Lords of Normandy.
Crommelin, May. Orange Lily. Ullans Press.
1
The next epigraph comes from Burns
Intertextuality and Influence Lady Caroline Lamb
The title-page of volume one of Graham Hamilton quotes Burns ; the second quotes Swift denouncing scandal. Though quieter, this novel again displays splendid satirical energy. It contains only one lyric (written by Nathan for...
Intertextuality and Influence Eleanor Sleath
The chapter headings quote a range of canonical or contemporary writers, including Shakespeare , Milton , Pope , Thomson , Goldsmith , William Mason , John Langhorne , Burns , Erasmus Darwin , Edward Young
Intertextuality and Influence Barbarina Brand, Baroness Dacre
Original poems (sonnets, songs, ballads, occasional pieces) as well as more translations (from Latin, represented by Horace , as well as from Italian) occupy the latter part of volume two. Many of the occasional poems...
Intertextuality and Influence Harriet Smythies
In a critical preface HS reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford or Edward Bulwer Lytton ). The two groups of lovers and...
Intertextuality and Influence Elizabeth Isabella Spence
The title-page quotes Burns and Scott . The preface remarks that books based on female impressions of national manners and moral character have succeeded in the past.
Spence, Elizabeth Isabella. Sketches of the Present Manners, Customs, and Scenery of Scotland. Longman, Hurst, Rees, Orme, and Brown.
prelims iv
The book is again made up...
Intertextuality and Influence Alison Cockburn
Burns reflected the influence of Cockburn's I've seen the smiling of Fortune beguiling in one of his earliest compositions, I dream'd I lay where flowers were springing (first published in 1788).
Fordonski, Krzysztof. “Robert Burns and Maciej Kazimierz Sarbiewski: A Translatological Investigation into the Mystery of ’I dream’d I lay’”. Scottish Literary Review, Vol.
5
, No. 1, pp. 13-29.
16, 26
Walter Scott

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