Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Helen Craik | In this month Burns
wrote to her about correcting and revising her manuscript. Burns, Robert. The Letters of Robert Burns. Editor Ferguson, J. De Lancey, Clarendon Press, 1931, 2 vols . 104 |
Intertextuality and Influence | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Intertextuality and Influence | Elizabeth Hamilton | EH
seeks to raise the canonical status of the novel in this work not only by serious politico-philosophical content, but also by chapter-heading quotations from the classics (from Horace
, Shakespeare
, and Milton
to... |
Intertextuality and Influence | Frances Browne | FB
began writing at the age of seven, when, inspired by her great and strange love of poetry, she attempted to re-write The Lord's Prayer in verse. Browne, Frances. The Star of Attéghéi; the Vision of Schwartz; and Other Poems. Edward Moxon, 1844. xvi-xvii |
Intertextuality and Influence | Janet Hamilton | JH
composed from a young age; between the ages of seventeen and nineteen she produced about twenty pieces of religious poetry. Gilfillan, George, and Janet Hamilton. “Janet Hamilton: Her Life and Poetical Character”. Poems, Sketches, and Essays, James Maclehose, 1885, pp. 1-13. 11 |
Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
Intertextuality and Influence | Carolina Oliphant Lady Nairne | In this year both Susanna Blamire
(visiting there) and Robert Burns were writing in Perthshire. This, too, was the year that Carolina Oliphant's father died, and it has been suggested that grief and a... |
Intertextuality and Influence | Ann Batten Cristall | The preface expresses admiration for both Burns
and George Dyer
. ABC
stresses her lack of education (which, critic Richard C. Sha
argues, associates herself with lower-class writers like William Blake
and Henry Kirke White |
Intertextuality and Influence | Janet Little | In her letter to Burns, Mrs Dunlop emphasises JL
's intellect rather than her appearance: Her outside promises nothing; her mind only bursts forth on paper. Burns, Robert, and Frances Anna Dunlop. Robert Burns and Mrs. Dunlop. Editor Wallace, William, 1843 - 1921, Hodder and Stoughton, 1898, http://BARD. 185 |
Intertextuality and Influence | May Crommelin | The book is headed with romantic lines from Thomas Davies [sic]
about successive migrants and visitors to Ireland, from the brown Phoenician to the iron Lords of Normandy. Crommelin, May. Orange Lily. Ullans Press, 2017. 1 |
Intertextuality and Influence | Barbarina Brand Baroness Dacre | Original poems (sonnets, songs, ballads, occasional pieces) as well as more translations (from Latin, represented by Horace
, as well as from Italian) occupy the latter part of volume two. Many of the occasional poems... |
Intertextuality and Influence | E. Nesbit | The dream poems combine the qualities of horror and of nursery-rhyme. The second one begins, Mr Oddy / Met a body / Hanging from a tree, qtd. in Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson, 1987. 385 |
Intertextuality and Influence | Elizabeth Sarah Gooch | ESG
quotes a stanza from Burns
's A Prayer in the Prospect of Death on her title-page, and says she can offer her reader no ghosts or artificial terrors. Gooch, Elizabeth Sarah. Fancied Events. George Cawthorn, 1799, 2 vols. 1: iv |
Intertextuality and Influence | Charlotte Nooth | The novel combines domestic humour and social satire. The courtship of Eglantine Fortescue and the young officer Augustus Fitzroy is almost overshadowed by the broad-brush picture of their families and friends. Eglantine incurs disapproval first... |
Intertextuality and Influence | Frances Jacson |
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