Farjeon, Annabel. Morning has Broken: A Biography of Eleanor Farjeon. Julia MacRae.
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Connections Sort ascending | Author name | Excerpt |
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Textual Production | Eleanor Farjeon | |
Textual Production | Mary Hays | The publisher was Knott
. The title-page quotes Socrates
and Burns
. The work is dedicated to the Rev. John Disney
. MH
's sister, Eliza or Elizabeth, contributed two Moral Essays. Hays, Mary. Letters and Essays, Moral and Miscellaneous. T. Knott. prelims Feminist Companion Archive. |
Textual Production | Ethel Lilian Voynich | These poems, wrote Voynich, were immortal lyrics hidden away from Western Europe in a minor Slavonic idiom between Russian, Servian, and Polish. She called Shevenko the Robert Burns
of his own region, TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 517 (7 December 1911): 509 |
Textual Production | Joanna Baillie | She agreed to do this without payment, though Thomson gave her an Indian shawl when adding to his first request six years later. Baillie, Joanna. “Introduction”. The Selected Poems of Joanna Baillie, 1762-1851, edited by Jennifer Breen, Manchester University Press, pp. 1-25. 9, 11 |
Textual Production | Carolina Oliphant, Lady Nairne | Purdie and Smith worked at the behest of an all-female editorial committee McGuirk, Carol. “Jacobite History to National Song: Robert Burns and Carolina Oliphant (Baroness Nairne)”. The Eighteenth Century: Theory and Interpretation, Vol. 47 , No. 2/3, pp. 253-87. 258 |
Textual Production | Emily Gerard | At eleven or twelve EG
began to scribble in secret—poetry of course; for what youthful writer at that stage of his or her existence would stoop to prose! Most of her poems were elegies on... |
Textual Production | Helen Craik | HC
was said after her death to have published writings in French, but these have not been traced. Some of her manuscripts are in private hands. Burns
's two surviving letters to her are in... |
Textual Production | Ellen Johnston | Her work garnered considerable response, including many poems of praise and compliment which were printed alongside her own in her later collection. These ranged from a verse proposal of marriage to a poetic tribute asserting... |
Textual Production | Anna Gordon | This best-known and most widely sung of all Scots songs dates from, at latest, the beginning of the eighteenth century. Many different writers turned their hand to new versions of it, including Burns
, whose... |
Textual Production | Catharine Maria Sedgwick | CMS
's first novel, A New-England Tale; or, Sketches of New-England Character and Manners, was licensed: it appeared anonymously that year, with a title-page stanza from Robert Burns
, dedicated to Maria Edgeworth
. Sedgwick, Catharine Maria. A New-England Tale. Bliss and White. prelims Damon-Bach, Lucinda L., and Victoria Clements, editors. “Editorial Materials”. Catharine Maria Sedgwick: Critical Perspectives, Northeastern University Press, p. various pages. xxxv |
Textual Production | Isabel Pagan | Not all IP
's writing went into her printed volume. She was believed to be the author of two songs which became popular: Crook and Plaid and (the most famous among her works) Ca' the... |
Textual Production | Jackie Kay | |
Textual Production | Mary Bryan | It was dedicated to James Bedingfield
, and the title page gave her name along with a quotation from Burns
. |
Textual Production | Jackie Kay | JK
was one of twenty Scottish authors invited to contribute a monologue to a collaborative work entitled Dear Scotland, which was first performed by the Scottish National Theatre
on 24 April 2014 as a... |
Textual Production | Mary Lamb | In her earliest extant letter, to Sarah Stoddart
, Mary Lamb
remarked (quite unfairly to herself): I am always a miserable letter writer, and I feel the want, in writing to a new friend of... |
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