Whittaker, Treacher, and Arnott

MRM advised an artist named George Baxter on scenes to engrave as woodcuts for a Whittaker edition of Our Village, probably 1835. Further complete editions, selections, and translations into many languages followed...

In the end Kemble played MRM 's hero, after disputes which further postponed the opening. The theatre paid MRM £100 on each of the third, ninth, fifteenth, and twentieth nights. She sold the...

It was re-published by Whittaker in 1821. It was, said its preface, mostly reprinted from the Cottage Magazine.

In July 1832, on the strength of the sales of Domestic Manners, FT signed a contract with publishers Whittaker and Co. promising her ¥400 to publish 1,250 copies of her forthcoming novel. Although she...

After the fiasco with Whittaker , FT began shopping around for a new publishing house in the winter of 1834. This proved difficult, and she was rejected several times before Richard Bentley opted to publish...

The publisher George Whittaker issued a first volume of MRM 's Our Village: Sketches of Rural Life, Character, and Scenery under her name: four more volumes followed.

Whittaker paid her £150 for the combined copyright of the first and second volumes; she worried that the depressed state of the publishing trade had lowered the price to half what it would have been...

In the year of the final volume, Whittaker was reported by Frances Trollope as saying that MRM 's name would sell anything.

Mary Russell Mitford was given this poem to review by Whittaker ; it was then that she met EAP .Alexander Dyce named Coeur de Lion as EAP 's best work. When she...

MB published through Whittaker a three-volume novel entitled Longhollow; A Country Tale; on the title-page she used both her married names: Mrs Bryan Bedingfield.

It was published by Whittaker .