Gerard, Emily. The Land Beyond the Forest. W. Blackwood and Sons.
1: 21ff
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Textual Features | Delarivier Manley | Queen Zarah purports to be translated, not from French but from Italian. In it England is Albigion. The critical preface is in fact a translation of part of Morvan de Bellegarde
's Lettres curieuses... |
Textual Production | Claire Luckham | CL
's musical adaptation of Defoe
's novel Moll Flanders was staged in 1986. More recently she has performed a valuable service by providing the catalyst for the delivery to radio audiences of much women's... |
Literary responses | Caroline Leakey | Geraldine Jewsbury
's review in the Athenæum was extremely positive. She praised the book as written with great force and earnestness, saying that even the hardened novel readers and stony-hearted critics at the Athenæumhave... |
Textual Production | Elizabeth Jenkins | EJ
's next novels were Doubtful Joy, 1935, The Phoenix Nest, 1936, Robert and Helen, 1944, and Young Enthusiasts, 1947 (titled from Samuel Johnson
's description of the ambitious young scholar... |
Reception | Elizabeth Hervey | It has been until recently a given of literary history that William Beckford
had his half-sister in his sights in his two burlesques on women's novel-writing. The title-page of the first quotes Pope
, thus... |
Reception | Eliza Haywood | Love in Excess, with its arguably six editions by 1725, has repeatedly been likened to Daniel DefoeRobinson Crusoe and Jonathan SwiftGulliver's Travels as bestselling English fictions before Pamela. It has never shared their status, partly... |
Textual Production | Eliza Haywood | A Spy upon the Conjuror (19 March 1724; three more issues followed) is the first of EH
's several pamphlets on the deaf-mute fortune-teller Duncan Campbell
. It was advertised more than a year before... |
Reception | Eliza Haywood | For publishing it EH
was arrested, and 800 copies of her work were impounded. It is not known how long she remained in custody, but this incident seems to have headed her off from specifically... |
Intertextuality and Influence | Beatrice Harraden | The child protagonist of Things Will Take a Turn, Rose (always called either Childie or Rosebud), has a grandfather who runs an unprofitable second-hand bookshop. She has read a lot and has (as well... |
Textual Production | Nadine Gordimer | NG
issued a collected volume of short stories, Friday's Footprint, whose title emblematises, through allusion to Defoe
's Robinson Crusoe, a key moment in colonial contact between different races. In fact, the footprint... |
Intertextuality and Influence | Emily Gerard | The book deals with the usual topics of travel writing: history, tradition, peasant life, and scenery, with a lucid exposition of the politics of the region. Gerard, Emily. The Land Beyond the Forest. W. Blackwood and Sons. 1: 21ff |
Intertextuality and Influence | Jane Gardam | As the title suggests, Polly Flint's chief passion is for Daniel Defoe
, to whose writing she brings a passionate, intelligent naiveté and great perception. She fiercely contradicts those who suppose that Defoe lacked imagination... |
Textual Features | Ann Fisher | The Young Scholar's Delight, or Familiar Companion, in dialogue form, treats geography, astronomy, and other sciences and arts, as well as (in the tradition of Defoe
's Family Instructor) religion and Bible study... |
Author summary | Celia Fiennes | CF
was a remarkable, indeed a unique, travel-writer about her own country. Travelling in the later seventeenth and the early eighteenth century, and writing the account that has come down to us in the latter... |
Intertextuality and Influence | Catherine Fanshawe | Memorials included just fifteen of her writings, both prose and verse. It added several poems to her known oeuvre. Epistle on the Subjects of Botany, containing a tale and much good advice welcomes the opening... |
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