Jonathan Swift

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Standard Name: Swift, Jonathan

Connections

Connections Author name Sort ascending Excerpt
Textual Features Jane Cave
One interesting feature is the inclusion of nine poems by other authors: the canonical Prior , Swift , and Pope , the lesser-known men John Scott , William Broome , and Nathaniel Cotton , and...
Family and Intimate relationships Cassandra, Lady Hawke
The future CLH 's father, Sir Edward Turner , had the distinction of being called by Swiftfriend of Apollo and the Muses.
Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford.
He is recorded to have written a long doggerell poem, Delia to...
Intertextuality and Influence Angela Carter
Lorna Sage noted that South America is an apt setting for this novel, since the essays and stories of Argentinian writer Jorge Luis Borges show a similar blending of the fantastical and the documentary (...
Intertextuality and Influence Leonora Carrington
The Debutante is set in an unnamed city on 1 May 1934. Its title character is an unnamed young woman who narrates in the first person and begins her narrative by announcing: When I was...
Textual Features Maria Callcott
Her editor Elizabeth Mavor , however, prints a late poem (which MC herself called jingling doggerel), written for a family magazine produced by some young nephews and nieces, which is anything but sapless in...
Friends, Associates Mary Caesar
MC shared her husband's network of high-level connections in circles of Jacobites and Jacobite sympathisers. She was a friend of the writers Pope , Prior , Swift , and Mary Barber , and of the...
Literary responses Mary Caesar
She was just as insecure about her style and presentation in letters as in her journal, and elicited reassuring praise from Pope , Prior, Swift , Lord Orrery , and Lord Lansdowne .
Rumbold, Valerie. “The Jacobite vision of Mary Caesar”. Women, Writing, History, 1640-1740, edited by Isobel Grundy and Susan Wiseman, Batsford, pp. 178-98.
181-2
Prior
Textual Production Medora Gordon Byron
It was in four volumes, from the Minerva Press , with a quotation from Francis Bacon on the title-page, and further chapter-headings from Shakespeare , Swift , Prior , Thomson , Goldsmith , Edward Young
Intertextuality and Influence A. S. Byatt
One reviewer noted ASB 's fascination with the symbolic world of the fairy tale, the dream and the artist's vision shape both the style and the content.
Rankin, Bill. “Byatt’s Stories Live Up to her High Standards”. Edmonton Journal, p. F7.
F7
In Crocodile Tears a woman walks away...
Literary responses Frances Burney
Evelina was an instantaneous success. While FB 's identity was still unknown she repeatedly listened to praise of herself, uttered in ignorance that she had any concern in it. Samuel Johnson (like friends of Swift
Textual Features Frances Burney
Along with the sentimental and misunderstanding-prone lovers and the ridiculous esprit circle (which might so easily be taken to represent the Bluestockings), The Witlings features a women's working environment: a milliner's shop where seamstresses make...
Textual Production Jane Brereton
In March Fidelia to Sylvanus Urban had presented a literary defence of Jonathan Swift (whose poems about women, Fidelia argued, were not misogynist but aimed at reforming individuals) and an elaborate joke about her secretly-cherished...
Textual Features Elizabeth Boyd
EB offers original, discriminating praise for women's writing: Susanna Centlivre (her inspiration, she says), Eliza Haywood (though she regrets her exposure of women's faults), Aphra Behn , and Delarivier Manley , whom she calls the...
Intertextuality and Influence Simone de Beauvoir
SB 's next novel, Tous les hommes sont mortels, 1946 (translated into English as All Men Are Mortal, 1954), features, like Woolf 's Orlando, a protagonist who is immortal, living on from...
Intertextuality and Influence Henrietta Battier
Battier wrote most of this poem in stanzas composed of six iambic pentameters: an unusual metre for her, and one she does not stay in without lapses which may be intentional. Before the last passage...

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