Jonathan Swift

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Standard Name: Swift, Jonathan

Connections

Connections Author name Sort ascending Excerpt
Intertextuality and Influence Leonora Carrington
The Debutante is set in an unnamed city on 1 May 1934. Its title character is an unnamed young woman who narrates in the first person and begins her narrative by announcing: When I was...
Textual Features Maria Callcott
Her editor Elizabeth Mavor , however, prints a late poem (which MC herself called jingling doggerel), written for a family magazine produced by some young nephews and nieces, which is anything but sapless in...
Friends, Associates Mary Caesar
MC shared her husband's network of high-level connections in circles of Jacobites and Jacobite sympathisers. She was a friend of the writers Pope , Prior , Swift , and Mary Barber , and of the...
Literary responses Mary Caesar
She was just as insecure about her style and presentation in letters as in her journal, and elicited reassuring praise from Pope , Prior, Swift , Lord Orrery , and Lord Lansdowne .
Rumbold, Valerie. “The Jacobite vision of Mary Caesar”. Women, Writing, History, 1640-1740, edited by Isobel Grundy and Susan Wiseman, Batsford, 1992, pp. 178-98.
181-2
Prior
Textual Production Medora Gordon Byron
It was in four volumes, from the Minerva Press , with a quotation from Francis Bacon on the title-page, and further chapter-headings from Shakespeare , Swift , Prior , Thomson , Goldsmith , Edward Young
Intertextuality and Influence A. S. Byatt
One reviewer noted ASB 's fascination with the symbolic world of the fairy tale, the dream and the artist's vision shape both the style and the content.
Rankin, Bill. “Byatt’s Stories Live Up to her High Standards”. Edmonton Journal, 31 Jan. 1999, p. F7.
F7
In Crocodile Tears a woman walks away...
Literary responses Frances Burney
Evelina was an instantaneous success. While FB 's identity was still unknown she repeatedly listened to praise of herself, uttered in ignorance that she had any concern in it. Samuel Johnson (like friends of Swift
Textual Features Frances Burney
Along with the sentimental and misunderstanding-prone lovers and the ridiculous esprit circle (which might so easily be taken to represent the Bluestockings), The Witlings features a women's working environment: a milliner's shop where seamstresses make...
Textual Production Jane Brereton
In March Fidelia to Sylvanus Urban had presented a literary defence of Jonathan Swift (whose poems about women, Fidelia argued, were not misogynist but aimed at reforming individuals) and an elaborate joke about her secretly-cherished...
Textual Features Elizabeth Boyd
EB offers original, discriminating praise for women's writing: Susanna Centlivre (her inspiration, she says), Eliza Haywood (though she regrets her exposure of women's faults), Aphra Behn , and Delarivier Manley , whom she calls the...
Intertextuality and Influence Simone de Beauvoir
SB 's next novel, Tous les hommes sont mortels, 1946 (translated into English as All Men Are Mortal, 1954), features, like Woolf 's Orlando, a protagonist who is immortal, living on from...
Intertextuality and Influence Henrietta Battier
Battier wrote most of this poem in stanzas composed of six iambic pentameters: an unusual metre for her, and one she does not stay in without lapses which may be intentional. Before the last passage...
Family and Intimate relationships Hélène Barcynska
In her first book of autobiography, HB always calls Evans the man. Naomi Royde-Smith thought him the most savage satirist since Swift . HB at once quarrelled with Leslie about him. The day after...
Other Life Event Mary Barber
MB was arrested and taken into custody, on Matthew Pilkington 's information, in connection with publishing a seditious poem by Swift .
McLaverty, James. “Lawton Gilliver: Pope’s Bookseller”. Studies in Bibliography, Vol.
32
, 1979, pp. 101-24.
119
Wealth and Poverty Mary Barber
MB finally gained a secure income by a subscription edition of Swift 's Polite Conversation, whose manuscript he had given her for this end.
Ehrenpreis, Irvin. Swift: the Man, his Works, and the Age. Harvard University Press, 1962–1983, 3 vols.
3: 836

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