Browne, Frances. The Star of Attéghéi; the Vision of Schwartz; and Other Poems. Edward Moxon, 1844.
xvi-xvii
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Christina Rossetti | Her early work and the passages she copied into her mother's commonplace-book show the influence of Tennyson
and Wordsworth
; she also acknowledged the impact of Gray
and Crabbe
, and wrote several poems inspired... |
Intertextuality and Influence | Frances Browne | FB
began writing at the age of seven, when, inspired by her great and strange love of poetry, she attempted to re-write The Lord's Prayer in verse. Browne, Frances. The Star of Attéghéi; the Vision of Schwartz; and Other Poems. Edward Moxon, 1844. xvi-xvii |
Literary responses | Mary Whateley Darwall | John Wesley
noted that he thought some of the elegies of MWDquite equal to Mr. Gray
's. qtd. in Messenger, Ann. Woman and Poet in the Eighteenth Century: The Life of Mary Whateley Darwall (1738-1825). AMS Press, 1999. 93 |
Literary responses | Catharine Macaulay | Though CM
's work later became synonymous with radical history, at its first appearance moderate Whigs likeThomas Gray
and Horace Walpole
thought it the most sensible, unaffected, and best history of England that we... |
Occupation | Horace Walpole | The Strawberry Hill Press
was active for decades. Its first publication, Two Odes by Walpole's friend Thomas Gray
, appeared on 8 August. |
Residence | Helen Maria Williams | She was delighted to learn that Thomas Gray
had once lived there. Kennedy, Deborah. Helen Maria Williams and the Age of Revolution. Bucknell University Press, 2002. 40 |
Textual Features | Frances Cornford | In this collection Cambridge again functions as an important subject. Frances Cornford saw her Cambridge poems as emblematic of her poetry as a whole. They served as a gauge for her poetic development and also... |
Textual Features | Katherine Philips | |
Textual Features | Sarah Pearson | The poem picked out by the Critical Review as the principal one, occupying fourteen pages, is entitled Lines found on the Stairs of the Tour de la Chapelle of the Bastile. These lines, powerful... |
Textual Features | Harriet Downing | The poem begins by confronting those surly cynics who say women are incapable of true friendship. Downing, Harriet. Mary; or, Female Friendship. James Harper, 1816. 1 |
Textual Features | Elizabeth Gilding | Edward Pitcher
describes these poems, the last identified from her pen, printed and apparently written soon after childbirth, as gloomy in tone. Pitcher, Edward W. Woman’s Wit. Edwin Mellen Press, 2002. 311 |
Textual Features | Catherine Fanshawe | One of the poems, a delightful Ode which imitates or parodies several well-known passages in various works by Gray
, was written not by CF
but by her friend Mary Berry
, some time before... |
Textual Features | Jane Harvey | JH
's preface discusses the moral and artistic duties of the writer; she assumes that this person is male until she reaches the diffidence and timidity which in the bosom of a female writer is... |
Textual Features | Mary Masters | |
Textual Features | Elizabeth Bentley | The poems appear in chronological order, written over the years since 1785, with a bumper year in 1789. EB
writes in various modes, using on the whole conventional and old-fashioned style and sentiment in each... |
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