Beauman, Nicola. A Very Great Profession: The Woman’s Novel 1914-39. Virago.
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Connections Sort ascending | Author name | Excerpt |
---|---|---|
Literary responses | Elizabeth Taylor | In connection with this story and with At Mrs. Lippincote's, Nicola Beauman
called her one of the great writers about childhood. Beauman, Nicola. A Very Great Profession: The Woman’s Novel 1914-39. Virago. 7 Jones, Amanda Jane. “The Sad Strangeness of Separation: Enuresis and Separation Anxiety in Women’s Wartime Fiction”. Women’s History, Vol. 2 , No. 4, pp. 24-8. 26 |
Literary responses | E. M. Delafield | Nicola Beauman
judges that EMD
succeeds in speaking to two different kinds of readers here: those who share the heroine's views of marriage and those who recognize the element of satire in them. Beauman, Nicola, and E. M. Delafield. “Introduction”. The Diary of a Provincial Lady, Rprt ed. , Virago Press, p. vii - xvii. xi |
Literary responses | E. M. Delafield | Critic Nicola Beauman
sees this as EMD
's most cruelly satirical novel. Beauman, Nicola, and E. M. Delafield. “Introduction”. The Diary of a Provincial Lady, Rprt ed. , Virago Press, p. vii - xvii. xii |
Literary responses | Elizabeth Taylor | Nicola Beauman
has called these some of the most remarkable letters of the twentieth century. Beauman, Nicola. The Other Elizabeth Taylor. Persephone Books. xv O’Connell, John. “’I have not got a bikini’”. The Guardian, p. Review 9. Review 9 |
Literary responses | Elizabeth Jenkins | The novel was criticised by some for its exclusively upper-middle-class reach—a view which was energetically countered by Rose Macaulay
on a radio programme. Jenkins, Elizabeth. The View from Downshire Hill. Michael Johnson. 107 |
Literary responses | Margaret Kennedy | Recent critics, such as Barbara Brothers
and Beauman
, have re-read the novel for its focus on the portrayal of women and their lives in fiction, to find it one of Kennedy's more substantive and... |
Literary responses | Lady Cynthia Asquith | The volume was a Book Society
recommendation. Beauman, Nicola. Cynthia Asquith. Hamish Hamilton. 325 |
Literary responses | Mollie Panter-Downes | This novel was much less well received than MPD
's first. Critic Nicola Beauman
finds it remarkable for the fact that the protagonist acquires a social conscience after coming into money, and for the lyrical... |
Literary responses | Mollie Panter-Downes | Nicola Beauman
sees the letters as a tribute to the behaviour of ordinary people in times of nightmare stress. Beauman, Nicola, and Mollie Panter-Downes. “Introduction”. One Fine Day, Virago, p. vii - xvi. xii |
Literary responses | Mollie Panter-Downes | On the publication of London War NotesNoël Coward
wrote to tell MPD
that her evocation of the city in wartime, nearly thirty years in the past, was so well done that he felt sodden... |
Literary responses | Ann Bridge | A British Foreign Office
official warned that what he called the uniform unpleasantness of the Spanish characters (which was news to her: was he responding to the fact that people behave badly in extreme circumstances?)... |
Family and Intimate relationships | Margaret Kennedy | |
Family and Intimate relationships | Dorothy Whipple | Henry Whipple, who worked as a civil servant in education, was Dorothy's boss at the time. His work took them to conferences here and there, and meetings of the W. E .A. Whipple, Dorothy. Random Commentary. Michael Joseph. 84 |
Family and Intimate relationships | Lady Cynthia Asquith | LCA
's mother, Mary
, Lady Wemyss, was born a Wyndham, a descendent of the writer Félicité, Mme de Genlis
, and of her royal lover Philippe Egalité
, Duc d'Orléans (who was also father... |
Family and Intimate relationships | Lady Cynthia Asquith | Having joined the army, Herbert Asquith
had a spell at a training camp on Salisbury Plain before being posted to the Front in France. By August 1916 he was feeling as if he would... |
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