Athenæum. J. Lection.
1056 (1848): 79
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Joanna Cannan | Not only class, but class and national ideology is under the microscope here. The idea of Englishness is much appealed to. Price admonishes Lisa (who prattles freely of art and Aristotle
and Baudelaire
, though... |
Intertextuality and Influence | Muriel Spark | The protagonist is of this light-heartedly surrealist and paradoxically serious tale is Samuel Cramer, the main character of a Charles Baudelaire
story,, now unnaturalistically aged and running a rooming-house in Africa. He has written a... |
Intertextuality and Influence | Catherine Crowe | This book received mixed reviews. The Athenæum referred to the volumes as awful (presumably meaning that they inspired awe) and noted that the narrative part of [them] is very well done. Athenæum. J. Lection. 1056 (1848): 79 |
Intertextuality and Influence | Anita Desai | AD
's work weaves together a wide range of cultural and literary references: the Mahabharata and the Bhagavadgîtâ, as well as such European authors as E. M. Forster
, T. S. Eliot
, Dickinson |
Intertextuality and Influence | Sylvia Plath | This poem, which reflects her reading in Henry James
, Scott Fitzgerald
, and Charles Baudelaire
, expresses whimsical regret that the days of ogres and dragons, perils and combat, knights and princesses, have passed. Plath, Sylvia. “Ennui”. Blackbird: an online journal of literature and the arts, Vol. 5 , No. 2. |
Intertextuality and Influence | Germaine Greer | The chapters are headed with quotations ranging eclectically through the international canon and counter-canon from Sophocles
and The Ramayana of Valmiki (an ancient Indian epic) to Spike Milligan
, via Charles Baudelaire
, T. S. Eliot |
Intertextuality and Influence | Sally Purcell | |
Literary responses | Rosamund Marriott Watson | Most reviews of Vespertilia and Other Verses were extremely positive, though only one of them (by Norman Gale
in Academy) mentioned the other books published under RMW
's different pseudonyms. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 240 |
Literary responses | Ada Leverson | Robert Ross
closed A Note of Explanation which he contributed to the book in a tone of well-meant condescension: if Prospero is dead we value all the more the little memories of Miranda. Leverson, Ada, and Oscar Wilde. “Reminiscences of the Author”. Letters to the Sphinx from Oscar Wilde, Duckworth, pp. 19-49. 16 |
Literary responses | Graham Greene | George Orwell
, once a colonial policeman himself, criticized the book harshly for its fascination with damnation and suicide. As he put it, Greene harboured the idea, which has been floating around ever since Baudelaire |
Occupation | Algernon Charles Swinburne | Poems and Ballads appeared in 1866. This highly controversial collection, following closely on the heels of two successful plays, firmly established his literary reputation. He published an illustrated book of literary criticism, William Blake
... |
Occupation | Edgar Allan Poe | EAP
laboured for years as a journalist and editor. Although he had many publications prior to the 1845 publication of The Raven and Other Poems, it was this work that firmly established his popular... |
Author summary | Oscar Wilde | OW
's significance as poet, playwright, and writer of prose fiction, remained in eclipse for many years after his notorious trial and imprisonment in Reading Gaol
, events whose chilling impact on poetry and prose... |
Publishing | Edna St Vincent Millay | The book appeared with the original French on opposite pages from the translations. The second edition appeared the same year, with the title modified to Flowers of Evil, from the French of Charles Baudelaire... |
Textual Features | Elizabeth Bishop | The volume reproduces in facsimile no fewer than sixteen drafts of one of EB
's best-known poems, One Art; Quinn's notes include snippets of rejection letters from the New Yorker. White, Gillian. “Awful but Cheerful”. London Review of Books, pp. 8-10. 10 |
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