Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan.
261, 288
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Mary Lamb | The Lambs also knew well members of related circles, Robert Southey
, William Hazlitt
, and Thomas De Quincey
. In the first year of her new life Mary met William Godwin
, Thomas Manning |
Friends, Associates | Mary Robinson | Robinson found good friends among the male cultural and social leaders with whom she remained free to mix. Her daughter particularly mentions, as well as Sheridan
, Sir Joshua Reynolds
, Edmund Burke
, and... |
Friends, Associates | Charlotte Smith | Probably after Mary Wollstonecraft's death, CS
became a friend of William Godwin
, Elizabeth Inchbald
, and Eliza Fenwick
. Also a friend was the publisher Joseph Johnson
. Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan. 261, 288 |
Friends, Associates | Fanny Holcroft | During FH
's early childhood, William Godwin
's diary records almost daily meetings between himself and Thomas Holcroft, often at the Holcrofts' house. Godwin, William. William Godwin’s Diary. http://godwindiary.bodleian.ox.ac.uk/search.html. |
Friends, Associates | Sophia Lee | Their school, together with their literary careers, brought SL
and her sisters a wide circle of friends and contacts, including Jane
and Anna Maria Porter
. The novelist Elizabeth Sophia Tomlins describes Sophia as surrounded... |
Friends, Associates | Thomas Holcroft | TH
knew most of the English radicals of the day. For years before this he had been a particularly close friend of William Godwin
, who regarded him as a mentor. The two men saw... |
Intertextuality and Influence | Elizabeth Inchbald | Several known plays by EI
were never published. All on a Summer's Day, 1787 (about a couple ill-matched in age), and The Hue and Cry, 1791, are known only from the copies provided... |
Intertextuality and Influence | Sarah Green | The novel itself has elements of a spoof on the gothic, a didactic courtship plot, a social satire of the dialogue kind associated with Elizabeth Hamilton
and Thomas Love Peacock
, a sentimental melodrama, a... |
Intertextuality and Influence | Sophia King | |
Intertextuality and Influence | Mary Shelley | She began work on it in probably early 1827, with Godwin
's encouragement. He had done research on the same period five years before, and shared his daughter's view that Richard III was not so... |
Intertextuality and Influence | Mary Shelley | The title may have been suggested by Falkland, a key character in Godwin
's Caleb Williams. The novel takes up several points in his Deloraine, 1833. Falkner causes the death of his wife... |
Intertextuality and Influence | Charlotte Smith | A preface (in the first volume) quotes the words of Samuel Johnson
(with apology for applying them to so trifling a matter as novel-writing) about working at his dictionary amid grief and illness, feeling cut... |
Intertextuality and Influence | Mary Shelley | |
Intertextuality and Influence | Catherine Hutton | Jane Oakwood says (presumably standing in for her author, as she often does) that in youth she was accused of imitating Juliet, Lady Catesby (Frances Brooke
's translation from Marie-Jeanne Riccoboni
). Hutton, Catherine. Oakwood Hall. Longman, Hurst, Rees, Orme, and Brown. 3: 95 |
Literary responses | Anna Letitia Barbauld | Though the first review to appear, in the Monthly Repository, expressed admiration (and some anti-war feeling), McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press. 476 |
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