Fleeman, John David, and James McLaverty. A Bibliography of the Works of Samuel Johnson. Clarendon Press.
1: 710
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Education | Roxburghe Lothian | Her mother began teaching her out of Goldsmith
's History of England (1764), started Elizabeth on the piano before she was five, and engaged a Swiss woman to teach her French, but found both her... |
Textual Features | Alethea Lewis | She heads her novel with a prefatory letter to the Rev. William Johnstone
, who, she says, has asked why she chooses to write fiction and not moral essays. She answers that novels offer opportunities... |
Literary responses | Charlotte Lennox | The favourable review in the Literary Magazine (with which Johnson
was closely connected) probably owed something to his influence. Fleeman, John David, and James McLaverty. A Bibliography of the Works of Samuel Johnson. Clarendon Press. 1: 710 |
Textual Production | Charlotte Lennox | CL
had probably begun this play immediately after the appearance of her novel Henrietta, 1759, which it reworks. Indeed, the play bore the same title as the novel when it was seen in manuscript... |
Friends, Associates | Ellis Cornelia Knight | During her childhood, ECK
associated with a variety of celebrated people through her family connections. Her mother was a close friend of painter and writer Frances Reynolds
(sister to the more famous painter Sir Joshua Reynolds |
Family and Intimate relationships | Ellen Johnston | She stoutly rejects Goldsmith
's assertion that a woman who has stooped to folly can only die: I did not, however, feel inclined to die when I could no longer conceal what the world falsely... |
Intertextuality and Influence | Ellen Johnston | In contrast to the life-writings of her working-class contemporary Hannah Cullwick
, EJ
's autobiography is remarkably self-reflexive and literary. She says that an account of her life in Dundee alone, her trials, disappointments, joys... |
Friends, Associates | Samuel Johnson | Johnson had a talent for friendship which he kept well exercised: the names mentioned here represent only a selection of his friendships. His early London friends, whom he met during a comparatively poorly documented period... |
Intertextuality and Influence | Frances Jacson | |
Friends, Associates | Laetitia-Matilda Hawkins | Visitors to her parents' house included Oliver Goldsmith
and Samuel Johnson
, whom the Hawkins children nicknamed Polyphemus, after the one-eyed giant in the Odyssey. Hawkins, Laetitia-Matilda. Memoirs, Anecdotes, Facts and Opinions. Longman, Hurst, Rees, Orme, Brown, and Green, and C. and J. Rivington. 1: 86 |
Textual Features | Jane Harvey | JH
's preface discusses the moral and artistic duties of the writer; she assumes that this person is male until she reaches the diffidence and timidity which in the bosom of a female writer is... |
Textual Production | Elizabeth Griffith | Besides a splendid frontispiece portrait of EG
in the first edition, with her published works around her, the book was further illustrated with plates originating in the magazine. The other contributors were Oliver Goldsmith
(who... |
Textual Features | Catherine Gore | The title-page quotes Byron
pronouncing shame to the land of the Gaul. Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews. title-page Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews. iii |
Family and Intimate relationships | Elizabeth Gilding | Like her, he was a contributor to magazines: a juvenile work by him appeared in the Lady's Magazine in 1775, and he later contributed to the European and other magazines under the name of Fidelio... |
Textual Production | Phebe Gibbes | PG
issued a third novel this same year, The Fruitless Repentance; or, The History of Miss Kitty Le Fever (reprinted in facsimile by Garland
in 1974). Gibbes, Phebe. “Introduction”. Hartly House, Calcutta, edited by Michael J. Franklin, Oxford University Press, p. xi - lvii. xiv n16 |
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