Fleeman, John David, and James McLaverty. A Bibliography of the Works of Samuel Johnson. Clarendon Press, 2000, 2 vols.
1: 710
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Anna Maria Mackenzie | A title-page quotation from John MiltonParadise Lost puts together, with an only an ellipsis between them, the persuasive powers of the fallen angel Belial (who could make the worse appear / The better reason) and... |
Intertextuality and Influence | Georgiana Cavendish Duchess of Devonshire | The poem is one of exile, owing something to Goldsmith
's The Traveller, combining observation of nature with personal feeling: My weary footsteps hoped for rest in vain, / Steep on steep in rude... |
Intertextuality and Influence | Maria Edgeworth | Angelina, generally treated as a descendant of Charlotte Lennox
's Female Quixote, shows just how permeable is the boundary between ME
's juvenile and adult fiction. It warns against influence from the wrong... |
Intertextuality and Influence | Mary Elizabeth Braddon | This novel contains the first appearance of MEB
's serially-employed character, the proto-sensation novelist Sigismund Smith (although that bitter term of reproach, sensation, had not been invented for the terror of romancers in the... |
Intertextuality and Influence | Anna Jane Vardill | Many of AJV
's poems reflect her learning. She incorporated lines of Greek in An Arctic Islander in London (October 1818), and based La Morte d'Arthur (European Magazine 79 (1821): 553-5, with annotations), on... |
Intertextuality and Influence | Frances Jacson | |
Intertextuality and Influence | Ellen Johnston | In contrast to the life-writings of her working-class contemporary Hannah Cullwick
, EJ
's autobiography is remarkably self-reflexive and literary. She says that an account of her life in Dundee alone, her trials, disappointments, joys... |
Intertextuality and Influence | Medora Gordon Byron | The Englishman ties its first sentence to a quotation from Goldsmith
's Citizen of the World about spontaneous liking for certain individuals. Its first sentence is This spontaneous friendship is not more the offering of... |
Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
Literary responses | Charlotte Lennox | The favourable review in the Literary Magazine (with which Johnson
was closely connected) probably owed something to his influence. Fleeman, John David, and James McLaverty. A Bibliography of the Works of Samuel Johnson. Clarendon Press, 2000, 2 vols. 1: 710 |
Literary responses | Sarah Wentworth Morton | Julie Ellison
, who traces in Ouâbi the influence of male British poets like Thomson
and Goldsmith
, and their sentimental, topographical, masculinist traditions, Ellison, Julie. “Race and Sensibility in the Early Republic: Ann Eliza Bleecker and Sarah Wentworth Morton”. Subjects and Citizens, edited by Michael Moon and Cathy N. Davidson, Duke University Press, 1995, pp. 57-86. 60 |
Literary Setting | Regina Maria Roche | The heroine suffers under not one but two bad mother-figures, neither of whom is her birth mother. It opens with Greville, a country curate whose spirit has been wounded by the vice and deceit of... |
Occupation | Emmuska Baroness Orczy | She had suddenly conceived the ambition of becoming an artist (the only profession open to her, as a girl of good family) when she heard that this was the choice of the cousin with whom... |
Occupation | Sydney Owenson Lady Morgan | Sydney Owenson
took up a governess job with Margaret Featherstone
or Featherstonehaugh of Bracklin Castle, Westmeath. Literary critic James Newcomer
, who chooses the second version of the employers' family name, mistakenly says this... |
Publishing | Anne Marsh | Harriet Martineau
was amazed when AM
first read her one of these tales, The Admiral's Daughter, and felt that their hostess later that evening (Sarah Wedgwood
) must have been almost equally amazed... |
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