Pym, Barbara. “Editorial Materials”. A Very Private Eye, edited by Hazel Holt and Hilary Pym, Macmillan, 1984, p. various pages.
2
Connections Sort descending | Author name | Excerpt |
---|---|---|
Cultural formation | Barbara Pym | BP
's sister calls their childhood happy, unclouded. Pym, Barbara. “Editorial Materials”. A Very Private Eye, edited by Hazel Holt and Hilary Pym, Macmillan, 1984, p. various pages. 2 |
Friends, Associates | Eliza Ogilvy | Over the years EO
developed friendships many people, a number of whom were involved with the community surrounding the Crystal Palace at Sydenham. Among these friends were Sir David Brewster
, Henry Chorley
,... |
Intertextuality and Influence | Barbara Pym | Since Barbara's parents had performed in several musical operettas, and the whole family enjoyed Gilbert
and Sullivan
in particular, the children were comfortable with the form. Pym, Barbara. “Editorial Materials”. A Very Private Eye, edited by Hazel Holt and Hilary Pym, Macmillan, 1984, p. various pages. 2-3 |
Intertextuality and Influence | Amy Levy | AL
acknowledged the influence on her poetry of Percy Bysshe Shelley
, Goethe
, Heine
, Robert Browning
, Swinburne
(whose poem Félise she answered in Félise to Her Lover), and James Thomson
(the... |
Intertextuality and Influence | Wendy Cope | WC
says she has been influenced by Gilbert
and Sullivan
(one of whose patter songs provides the template for At 70: Of fitness and vitality I am not the epitome) and by Philip Larkin |
Leisure and Society | Kate O'Brien | Having delighted in operatic music since her first introduction to Gilbert
and Sullivan
at an early age, she was admitted to listen to Maria Callas
singing in a rehearsal of operas by Gluck
and Verdi |
Leisure and Society | Oscar Wilde | Gilbert
and Sullivan
's comic opera Patience opened at the Savoy Theatre
; it mocked OW
as the fleshly poet Bunthorne (in, coincidentally, the first English theatre production to use electric lighting on stage). Ellmann, Richard. Oscar Wilde. Knopf, 1988. 134-5 Booth, Michael R. Theatre in the Victorian Age. Cambridge University Press, 1991. 90, chronology |
Leisure and Society | Margaret Haig Viscountess Rhondda | After her schooling at St Leonard's
and before her brief time at Oxford
, Margaret Haig Thomas (later MHVR
) was a debutante for three years, during which time she was bored and suffocated by... |
Performance of text | Frances Cornford | When Frances Cornford
was a child, she and her cousin Gwen
were the two chief writers of the annual Darwin family Christmas play. This was written in Gilbert
and Sullivan
style, with complicated plots and... |
Publishing | Sarah Flower Adams | Nearer, My God, to Thee, written when SFA
was only twenty-one, has often been misattributed to Harriet Beecher Stowe
. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder, 1908–2024, 22 vols. plus supplements. |
Textual Features | Wendy Cope | |
Textual Production | Harriett Jay | By 10 November 1898 they had colllaborated on an adaptation of Alexandre Dumas
's play Les Demoiselles de Saint-Cyr as the romantic comedy Two Little Maids from School (its title adapted from a song in... |
Textual Production | Ethel Smyth |