Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | Elizabeth Ham | The story opens with the young Englishwoman Rhoda Ford (the unbeautiful one of two sisters) and her family in the west of Ireland, where her father has an entrepreneurial scheme. They try to come... |
Intertextuality and Influence | E. B. C. Jones | The book positions itself in relation to cultural, social and emotional markers that are not those of a majority in later times. Helen and Felicia read Northanger Abbey aloud, and Helen admits it to be... |
Intertextuality and Influence | Samuel Richardson | Innumerable women novelists later conducted a dialogue (some admiring, some rebutting or revising) with SR
. Few could ignore his influence completely. Frances Brooke
wrote his biography; Anna Letitia Barbauld
edited his letters, and Jane Austen |
Intertextuality and Influence | Elizabeth Jane Howard | Before beginning this novel she asked the advice of her stepson Martin Amis
to help her choose between this and a present-day version of Austen
's Sense and Sensibility. He opted unhesitatingly for the... |
Intertextuality and Influence | Anne Mozley | These attractive essays in belles lettres employ a relaxed, personal speaking voice (which does not, however, reveal its gender), which puts forward literary opinions with casual confidence. Many essays (like Samuel Johnson
's before them)... |
Intertextuality and Influence | P. D. James | PDJ
followed the English tradition of detective-story writing that has continued from the 1920s and 1930s, a genre in which many women have held dominant positions. She spoke of her adolescent reading as influenced in... |
Intertextuality and Influence | Charlotte Smith | The young Jane Austen
paid Emmeline the compliment of allusion in her comical History of England, 1791.Anna Seward
, on the other hand, condemned CS
for indelicacy because she had exposed her husband's... |
Intertextuality and Influence | Stella Gibbons | The plot opens when the young, urban, highly civilised, bossy London heroine, Flora Poste, decides (when her parents die leaving her an unexpectedly small income) to live off her exaggeratedly rustic Sussex relations. (Flora admires... |
Intertextuality and Influence | Mary Augusta Ward | The heroine is described as deriving from a long line of English gentry, Whig supporters of the Empire: a tedious race perhaps and pig-headed, tyrannical too here and there, but on the whole honourable English... |
Intertextuality and Influence | Sarah Harriet Burney | Lorna J. Clark, editor of SHB
's letters, notes the abundant portrayal in her novels of dysfunctional families. Burney, Sarah Harriet. “Editor’s Introduction”. The Letters of Sarah Harriet Burney, edited by Lorna J. Clark, Georgia University Press, 1997. lviii-lix |
Intertextuality and Influence | Ivy Compton-Burnett | This was a new influence added to those of the Victorian novelists (especially the women), Shakespeare
, and Jane Austen
, whom she admired extravagantly (Even her dull scraps are music to me)... |
Intertextuality and Influence | Antonia Fraser | Fraser quotes here from Eliot
's tribute in Middlemarch to the silent influence of those who lived faithfully a hidden life, and rest in unvisited tombs. qtd. in Fraser, Antonia. The Weaker Vessel: Woman’s Lot in Seventeenth-Century England. Methuen, 1985. xiii |
Intertextuality and Influence | Beatrix Potter | |
Intertextuality and Influence | P. D. James | As the work opens, Cordelia, slight of body, determined of will, savvy of mind Gidez, Richard. P. D. James. Twayne, 1986. 56 |
Intertextuality and Influence | Stella Gibbons | The novel is richly intertextual. Jane Austen
is a source of inspiration: Flora's sole occupational goal for the next thirty years is to collect material for a novel as good as Persuasion, but with... |
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