Jane Austen
-
Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Sheila Kaye-Smith | With her friend G. B. Stern
, SKS
published More Talk of Jane Austen, proposed by Kaye-Smith to follow their earlier Talking of Jane Austen, 1943. British Book News. British Council. (1951): 52 Stern, G. B. . And did he stop and speak to you?. Henry Regnery, 1958. 89 TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 2538 (22 September 1950): 595 |
Textual Production | Mary Russell Mitford | MRM
took a keen interest in the reputations of women writers. She planned in 1821 to write an essay on Miss Austen
's novels, which are by no means valued as they deserve Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers, 1870, 2 vols. 1: 357 |
Textual Production | Michelene Wandor | MW
has specialized in adapting and abridging novels for radio. Between 1980 and 2004 she adapted a wide array of fiction by women writers, including works by Jane Austen
, Charlotte Brontë
, George Eliot |
Textual Production | Lady Margaret Sackville | LMS
's earliest works, which emerged from a romantic sense of beauty, defined her for decades of readers. In the first phase of her writing career, from 1900 to about 1915, she sought the delicate... |
Textual Production | Catherine Hubback | CH
published her first book, a novel entitled The Younger Sister, which recapitulates and completes her aunt Jane Austen
's unfinished, unpublished early novel The Watsons. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Eglinton Wallace | It appeared in two different editions put out this year through the different publishers T. Hookham
, and Debrett
. The Debrett edition lists the price, one shilling and sixpence, on the title-page. “Eighteenth Century Collections Online”. Gale Databases. |
Textual Production | Elizabeth Jenkins | EJ
contributed an introduction to a volume, the seventh in John Lehmann
's The Chiltern Library, published in 1947 and containing two titles by Elizabeth Gaskell
. In her introduction to Thackeray
's Vanity... |
Textual Production | Georgiana Fullerton | GF
enjoyed a high literary and personal reputation during and immediately after her life. One article, published soon after her death in The Catholic World, compared her favourably with Jane Austen
, and claimed... |
Textual Production | G. B. Stern | Sheila Kaye-Smith
and GBS
jointly published Talking of Jane Austen, an attempt at an informal record of their endless conversations about a novelist they both loved. Stern, G. B. . And did he stop and speak to you?. Henry Regnery, 1958. 87 |
Textual Production | Monica Dickens | Her other introductions to literary works include one to a paperback edition of Austen
's Mansfield Park in 1972. |
Textual Production | Charlotte Brontë | CB
's comments on Jane Austen
, whom she first read at this time, reflect her own literary priorities: She does her business of delineating the surface of the lives of genteel English people curiously... |
Textual Production | P. D. James | James felt that detective stories offer far more detailed and realistic portraits of the way life was lived in the period of their writing than do many novels: Because the detective story is usually set... |
Textual Production | Emma Tennant | ET
published two more sequels: Emma in Love, Jane Austen
's Emma Continued, and Elinor and Marianne, A Sequel to Sense and Sensibility. Tennant, Emma. Emma in Love. Fourth Estate, 1996. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Sarah Tytler | In a single volume, ST
's Jane Austen
and Her Works offered a short biography and a plot summary of the major novels, interspersed with critical commentary. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. Tytler, Sarah. Jane Austen and Her Works. Cassell, Petter, Galpin, 1880. prelims |
Textual Production | Naomi Royde-Smith | NRS
published a largely epistolary novel which is designed as a companion piece to Jane Austen
's Emma. Entitled Jane Fairfax: A New Novel, it is written in a pastiche of early-nineteenth-century style. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
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