Jane Austen
-
Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Elizabeth von Arnim | This novel elicited a wide range of responses from reviewers. John Middleton Murry
consoled EA
when she received harsh criticism in the Times Literary Supplement. He told her there was no way to protect... |
Literary responses | Maria Edgeworth | John Ward, later Earl of Dudley
, who had at first admired ME
's tales, later compared her to her disadvantage with Jane Austen
(whose name, however, he did not know) and suspected Richard Lovell Edgeworth |
Literary responses | Angela Thirkell | Reviewers were complimentary. One called the book an amusing pastiche in the manner of Jane Austen
. Strickland, Margot. Angela Thirkell: Portrait of a Lady Novelist. Duckworth, 1977. 114 |
Literary responses | Isabella Neil Harwood | This novel generated a large amount of attention and positive reviews. They all made some points in common: they loved the plot, the way Minnie/Minna's character developed, the originality and the sustained interest it provided... |
Literary responses | Anita Desai | Donna Seaman
, reviewer for Booklist, invoked the comparison of AD
to Austen
and acknowledged some substance to the parallel: indeed, she is a deceptively gracious storyteller, writing like an embroiderer concealing a sword... |
Literary responses | Jane West | This work had the unusual distinction of earning approving comments from both Austen
and Wollstonecraft
. The contrasted sisters are generally seen as an important source for Austen
's Sense and Sensibility, and the... |
Literary responses | Charlotte Smith | CS
's biographer Loraine Fletcher feels that in her Catherine the young Jane Austen
uses Ethelindeas a touchstone of literary intelligence for her characters. Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan, 1998. 121 Wollstonecraft, Mary. The Works of Mary Wollstonecraft. Editors Todd, Janet and Marilyn Butler, Pickering, 1989, 7 vols. 7: 188 Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan, 1998. 120-1 |
Literary responses | Eliza Nugent Bromley | Peterson
has pointed out that this novel is probably as much a target in Austen
's Love and Freindship as is its predecessor. It received, however, very different reviews (the Analytical's probably written by... |
Literary responses | E. H. Young | V. S. Pritchett
was moved by The Curate's Wife to liken EHY
(as did many critics) to Austen
. Mezei, Kathy, and Chiara Briganti. “’She must be a very good novelist’: Rereading E. H. Young (1880-1949)”. English Studies in Canada, Vol. 27 , No. 3, Sept. 2001, pp. 303-31. 315 |
Literary responses | Ivy Compton-Burnett | This novel made the best-seller list the month after publication; but at the end of the year it received the Bookseller's Glass Slipper award for books whose sales had not reflected their quality. Reviewers... |
Literary responses | Georgiana Fullerton | Henry Fothergill Chorley
, reviewing the novel for the Athenæum, found Grantley Manorhaunted by the intertextual spectre of Jane Austen
's Emma; he also drew parallels with Frances Burney
's Cecilia... |
Literary responses | Anne Plumptre | Kotzebue was then all the rage. The Critical Review discussed AP
's The Natural Son in December 1798, explaining the changes made in her version for stage presentation, and considering her biography of Kotzebue. But... |
Literary responses | Anne Brontë | Like the first, this second reviewer (probably H. F. Chorley
) found Agnes Grey both less objectionable and less powerful than Wuthering Heights. Allott, Miriam, editor. The Brontës. Routledge and Kegan Paul, 1974. 217-9 |
Literary responses | Elizabeth Jenkins | The novel was criticised by some for its exclusively upper-middle-class reach—a view which was energetically countered by Rose Macaulay
on a radio programme. Jenkins, Elizabeth. The View from Downshire Hill. Michael Johnson, 2004. 107 |
Literary responses | Emma Marshall | One of EM
's clerical admirers called this book a particularly strong instance of the way her heroines (if not quite up to Jane Austen
's Anne Elliot or Charlotte Yonge
's Violet in Heartsease... |
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