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To log in to this site, your browser must accept cookies from the domain orlando.cambridge.org.Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Mary Augusta Ward | The heroine is described as deriving from a long line of English gentry, Whig supporters of the Empire: a tedious race perhaps and pig-headed, tyrannical too here and there, but on the whole honourable English... |
Intertextuality and Influence | Samuel Richardson | Innumerable women novelists later conducted a dialogue (some admiring, some rebutting or revising) with SR
. Few could ignore his influence completely. Frances Brooke
wrote his biography; Anna Letitia Barbauld
edited his letters, and Jane Austen |
Intertextuality and Influence | Mary Ann Kelty | MAK
published, anonymously, her first, part-epistolary, religious novel, The Favourite of Nature: A Tale, which reflects the influence of her admired Jane Austen
. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 521 |
Intertextuality and Influence | Edith Mary Moore | The title-page quotes from Shakespeare
(What's past is Prologue) and Cicero
(That cannot be said too often which is not yet understood). Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co., 1935. prelims |
Intertextuality and Influence | Mary Lavin | Another early work was Jane Austen
and the Construction of the Novel, Lavin's MA thesis. |
Intertextuality and Influence | Margaret Oliphant | This novel is narrated in a consistently controlled sardonic tone. Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press, 1995. 5 |
Intertextuality and Influence | Sarah Harriet Burney | Lorna J. Clark, editor of SHB
's letters, notes the abundant portrayal in her novels of dysfunctional families. Burney, Sarah Harriet. “Editor’s Introduction”. The Letters of Sarah Harriet Burney, edited by Lorna J. Clark, Georgia University Press, 1997. lviii-lix |
Intertextuality and Influence | Ivy Compton-Burnett | This was a new influence added to those of the Victorian novelists (especially the women), Shakespeare
, and Jane Austen
, whom she admired extravagantly (Even her dull scraps are music to me)... |
Intertextuality and Influence | Antonia Fraser | Fraser quotes here from Eliot
's tribute in Middlemarch to the silent influence of those who lived faithfully a hidden life, and rest in unvisited tombs. qtd. in Fraser, Antonia. The Weaker Vessel: Woman’s Lot in Seventeenth-Century England. Methuen, 1985. xiii |
Intertextuality and Influence | Hannah More | Harriet Corp
also responded, in 1817, with Coelebs Deceived, which opens with respectful critical dialogue about More's novel; but Corp's middle-aged protagonist finally decides to stay single. Mary Waldron
suggests that Jane Austen
's... |
Intertextuality and Influence | Catherine Gore | She quotes Byron
on the title-page. Gore, Catherine. Cecil; or, The Adventures of a Coxcomb. R. Bentley, 1845. title-page |
Intertextuality and Influence | John Oliver Hobbes | JOH
's speeches and interviews regularly deal with literature. In an interview with William Archer
, she admits to admiring Arthur Wing Pinero
's characterisation of women, while noting how little individualised are some of... |
Intertextuality and Influence | Mary Ann Kelty | Her narratives of these emotional involvements lead her into analysis of the different effects of love on the two sexes. This analysis is founded on two women writers (identifiable although she does not name them)... |
Intertextuality and Influence | Sydney Owenson Lady Morgan | These provided the pattern for Thomas Moore
's very fashionable Irish Melodies. Campbell, Mary, 1917 - 2002. Lady Morgan: The Life and Times of Sydney Owenson. Pandora, 1988. 62 |
Intertextuality and Influence | Charlotte Smith | CS
's biographer Loraine Fletcher
gives a whole chapter to Austen
's response to her work. Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan, 1998. 303-17 |
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Texts
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