Weller, Earle Vonard, and Mary Tighe. “Introduction / Memoir of Mary Tighe”. Keats and Mary Tighe, Kraus Reprint Corporation, p. vii - xxi.
xxiii
Connections | Author name Sort descending | Excerpt |
---|---|---|
Publishing | Mary Tighe | MT
's portrait by Romney
was reproduced as frontispiece. Weller, Earle Vonard, and Mary Tighe. “Introduction / Memoir of Mary Tighe”. Keats and Mary Tighe, Kraus Reprint Corporation, p. vii - xxi. xxiii |
Literary responses | Queen Victoria | QV
's subjects were eager to read selections from her journal, and the book sold quickly. Lytton Strachey
believed that it was through her writings that [Victoria] touched the hearts of the public. Houston, Gail Turley. Royalties: The Queen and Victorian Writers. University Press of Virginia. 60 |
Friends, Associates | Dorothy Wellesley | In Rome during the First World War, DW
became a friend of two scholars, Geoffrey Scott
, and Gerald Tyrwhitt, later Lord Berners
. Wellesley, Dorothy. Far Have I Travelled. James Barrie. 133 |
Publishing | Amabel Williams-Ellis | Amabel Strachey
, later AWE
, wrote regularly for The Spectator, then owned by her father, John St Loe Strachey
. Other relatives, such as Lytton Strachey
, also contributed, and she was the journal's literary editor for 1922-3. Sanders, Charles Richard. The Strachey Family, 1588-1932. Greenwood. 316-21 Contemporary Authors. Gale Research. 105 |
Family and Intimate relationships | Amabel Williams-Ellis | Amabel Strachey had a long roster of talented, accomplished relations by birth and marriage. Within her own generation her cousins or cousins by marriage included the writers Lytton Strachey
, Ray Strachey
, and Dorothy Bussy |
Textual Production | Amabel Williams-Ellis | This pageant-like text may have been inspired by or adapted from The Masque of Empire written by Amy Strachey and performed by the village children (including Amabel as Britannia) at Newlands Corner in March 1908... |
Friends, Associates | Virginia Woolf | Early members of what VW
called Old Bloomsbury (to distinguish the original members of the group from later additions) included Virginia and Vanessa Stephen
, Leonard Woolf
, Clive Bell
, E. M. Forster
,... |
Friends, Associates | Virginia Woolf | The cultural production of members of Bloomsbury was prodigious, embracing the imaginative, critical, and political writing of Virginia and Leonard Woolf
, E. M. Forster
, and Lytton Strachey
, the economic theories of Maynard Keynes |
Family and Intimate relationships | Virginia Woolf | Leonard Woolf was a close Cambridge
friend of Virginia's brother Thoby Stephen
and a member of the Apostles
. A Jew, with family roots in London and Amsterdam, he grew up in London, first... |
Family and Intimate relationships | Virginia Woolf | Leonard had met Virginia and Vanessa in Thoby's rooms in 1901, and had fallen in love with Vanessa. Hussey, Mark. Virginia Woolf A to Z. Facts on File. 370 |
Friends, Associates | Virginia Woolf | Thinking of their mutual creative influence and of Fry's place in her family, Woolf surprised herself by grieving even more deeply for Fry than she had for another great friend, Lytton Strachey
, who had... |
Textual Features | Virginia Woolf | Hermione Lee sees VW
's first novel as about the death of childhood and the confused awakening of adult sexuality. Lee, Hermione. Virginia Woolf. Chatto and Windus. 154 |
Reception | Virginia Woolf | Quentin Bell reports that [a]s always, [Woolf] found publication an agitating business, and that when she received her own six copies, on 20 October, she immediately dispatched one to each of Vanessa
, Clive Bell |
Theme or Topic Treated in Text | Virginia Woolf | Character in Fiction, the further essay which emerged from Mr. Bennett and Mrs. Brown, is reflective, philosophical, fictional, its tone assertive, witty, ironical, and serious. It ranges Woolf, Virginia. The Essays of Virginia Woolf. Editors McNeillie, Andrew and Stuart Nelson Clarke, Hogarth Press. 3: 421 |
Literary responses | Virginia Woolf | Lytton Strachey
told Leonard Woolf that Virginia's story was a work of genius. The liquidity of the style fills me with envy . . . . How on earth does she make the English language... |
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