qtd. in
Mudge, Bradford Keyes, editor. Dictionary of Literary Biography 116. Gale Research, 1992.
129
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Emma Robinson | The title sounds like an allusion more to Thackeray
than to Bunyan
. |
Intertextuality and Influence | Hannah Mary Rathbone | The Athenæum noted that the first volume was printed and bound in seventeenth-century style so well that had we stumbled on it in some old library, we should have rejoiced over a newly discovered literary... |
Intertextuality and Influence | Catherine Gore | Charlotte Brontë
wrote to CG
to voice her admiration: not the echo of another mind—the pale reflection of a reflection—but the result of original observation, and faithful delineation from actual life. qtd. in Mudge, Bradford Keyes, editor. Dictionary of Literary Biography 116. Gale Research, 1992. 129 |
Intertextuality and Influence | Anne Thackeray Ritchie | William Makepeace Thackeray
is undoubtedly the single largest influence on ATR
's writing. Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, 1994, p. various pages. passim qtd. in Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, 1994, p. various pages. 65 |
Intertextuality and Influence | Catherine Gore | In August 2009 an issue of Women's Writing devoted to the silver-fork novel included several discussions of CG
's work. April Kendra
argued that Thackeray
learned from her as well as parodying her.Lauren Gillingham |
Intertextuality and Influence | Sydney Owenson Lady Morgan | The virtues of this powerful Irish novel were not fully appreciated in England. Mary Russell Mitford
thought that Morgan would be all right without the politics: she would be worth reading and praising if only... |
Intertextuality and Influence | Anne Thackeray Ritchie | Although she occasionally uses the theatre metaphor employed by her father
(as at the end of Old Kensington), few of ATR
's characters feel like puppets pulled on strings. As her final novel notes... |
Intertextuality and Influence | Jane Porter | JP
's use of historical figures and her descriptions of the Kościuszko Uprising of 1794 made many readers suppose that the first volume especially was history, not fiction. A friend of the family felt sure... |
Intertextuality and Influence | Anne Thackeray Ritchie | The chapters are headed with epigraphs from writers including Tennyson
, the BrowningsRobert Browning
, and her father
.The book pays tribute to the vanished Kensington of ATR
's childhood, still in the 1850s a venerable... |
Intertextuality and Influence | Mary Elizabeth Braddon | The paired heroines of The Lady's Mile each tread close to being seduced across that camouflaged barrier after each has, for quite different reasons, entered a loveless marriage. The beautiful, aristocratic, and noble but impoverished... |
Intertextuality and Influence | John Oliver Hobbes | Pearl Richards (later JOH
) read widely as a child and adolescent, and her parents' liberal views (and considerable fortune) meant that she could pursue her tastes in both the lending libraries and the less... |
Intertextuality and Influence | Eliza Lynn Linton | Her one-paragraph preface says these pieces were written long since,in the days of crinoline,croquet, and the violent purples of the then new aniline dyes. This places the period of composition in the 1860s, after... |
Intertextuality and Influence | Charlotte O'Conor Eccles | COCE
headed her book with two lines from Thomas Campion
: Alas, poor book . . . go spread thy papery wings. / Thy lightness cannot help or hurt my fame. qtd. in O’Conor Eccles, Charlotte. Modern Men. Leadenhall Press, 1887. prelims |
Intertextuality and Influence | Anna Maria Porter | Felix Charlemont fights in the Napoleonic wars, and one battle scene verbally prefigures Thackeray
's account of Waterloo in Vanity Fair: The roar of artillery and musketry continued long after Charlemont fell; at length... |
Intertextuality and Influence | Evelyn Sharp | The protagonist is called Becky Sharp, a name which interestingly combines a clue as to self-portraiture with homage to Thackeray
's equally intelligent though less sensitive and feeling heroine. This Becky is a child who... |
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