qtd. in
Mudge, Bradford Keyes, editor. Dictionary of Literary Biography 116. Gale Research, 1992.
129
Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | Maggie Gee | Like her first novel to see print, Gee says, this one took seven years to find a publisher. Speaking about it at a date fairly early in its long quest for print, she mentioned that... |
Intertextuality and Influence | Frances Sarah Hoey | Miriam finds local gossip that Florence is attempting to entrap her father ludicrous, and describes it as a comic parallel to Vanity Fair, with Florence not as Becky Sharp but as Amelia having to... |
Intertextuality and Influence | Anne Thackeray Ritchie | ATR
's work continually and creatively blurs generic boundaries, just as it tends to straddle the private and the public, the personal and the political. Her work is in many respects an astute negotiation of... |
Intertextuality and Influence | J. K. Rowling | Robert Galbraith has his own website, which details his military background and his work first for the military police and then in private security. He says his flamboyant, unusual mother came from Cornwall and went... |
Intertextuality and Influence | Emma Robinson | The title sounds like an allusion more to Thackeray
than to Bunyan
. |
Intertextuality and Influence | Hannah Mary Rathbone | The Athenæum noted that the first volume was printed and bound in seventeenth-century style so well that had we stumbled on it in some old library, we should have rejoiced over a newly discovered literary... |
Intertextuality and Influence | Catherine Gore | Charlotte Brontë
wrote to CG
to voice her admiration: not the echo of another mind—the pale reflection of a reflection—but the result of original observation, and faithful delineation from actual life. qtd. in Mudge, Bradford Keyes, editor. Dictionary of Literary Biography 116. Gale Research, 1992. 129 |
Intertextuality and Influence | Anne Thackeray Ritchie | William Makepeace Thackeray
is undoubtedly the single largest influence on ATR
's writing. Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, 1994, p. various pages. passim qtd. in Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, 1994, p. various pages. 65 |
Intertextuality and Influence | Catherine Gore | In August 2009 an issue of Women's Writing devoted to the silver-fork novel included several discussions of CG
's work. April Kendra
argued that Thackeray
learned from her as well as parodying her.Lauren Gillingham |
Intertextuality and Influence | Sydney Owenson Lady Morgan | The virtues of this powerful Irish novel were not fully appreciated in England. Mary Russell Mitford
thought that Morgan would be all right without the politics: she would be worth reading and praising if only... |
Intertextuality and Influence | Anne Thackeray Ritchie | Although she occasionally uses the theatre metaphor employed by her father
(as at the end of Old Kensington), few of ATR
's characters feel like puppets pulled on strings. As her final novel notes... |
Intertextuality and Influence | Jane Porter | JP
's use of historical figures and her descriptions of the Kościuszko Uprising of 1794 made many readers suppose that the first volume especially was history, not fiction. A friend of the family felt sure... |
Intertextuality and Influence | Anne Thackeray Ritchie | The chapters are headed with epigraphs from writers including Tennyson
, the BrowningsRobert Browning
, and her father
.The book pays tribute to the vanished Kensington of ATR
's childhood, still in the 1850s a venerable... |
Intertextuality and Influence | Eliza Lynn Linton | Her one-paragraph preface says these pieces were written long since,in the days of crinoline,croquet, and the violent purples of the then new aniline dyes. This places the period of composition in the 1860s, after... |
Intertextuality and Influence | Charlotte O'Conor Eccles | COCE
headed her book with two lines from Thomas Campion
: Alas, poor book . . . go spread thy papery wings. / Thy lightness cannot help or hurt my fame. qtd. in O’Conor Eccles, Charlotte. Modern Men. Leadenhall Press, 1887. prelims |
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