Escott, Angela. Email about supposed quarrel between Hannah Cowley and Hannah More to Isobel Grundy.
Connections
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Hannah Cowley | It was badly presented, by two of the cast in particular. |
Intertextuality and Influence | Hannah Cowley | The title, flagging a gender-role reversal from George Farquhar
's Beaux' Stratagem, 1707, suggests a return to the wit and worldliness of Restoration comedy. The sub-plot in which Sir George Touchwood tries to keep... |
Textual Features | Maria Edgeworth | This essay includes elements of fiction and reportage. It both exemplifies and defends the colourful and linguistically distinct qualities of Irish lower-class speech, pointing out that for these speakers English is their second language. (This... |
Publishing | Maria Edgeworth | This literary satire was the first fruit of his wish that she should write a series of dramas for young people. Its manuscript survives in the Bodleian Library
. Sheridan
rejected it for Drury Lane |
Textual Production | Maria Edgeworth | ME
wrote in a preface of her desire to find her way in this new career as playwright: a career she had been advised to by Richard Brinsley Sheridan
. Critical Review. W. Simpkin and R. Marshall. 5th ser. 5 (1817): 508 |
Friends, Associates | Elizabeth Cavendish, Duchess of Devonshire | When Georgiana, Duchess of Devonshire, died, Lady Elizabeth was left in a quandary as to what her own status would be at Devonshire House for the future: whether she would have to find a new... |
Performance of text | Elizabeth, Margravine of Anspach | Elizabeth (Berkeley), Lady Craven
(later Margravine of Anspach), defied social convention by having her comedy The Miniature Picture (Larpent MS 525) acted at Drury Lane
, with a prologue by Richard Brinsley Sheridan
, and... |
Occupation | David Garrick | Drury Lane Theatre
was left in parlous condition at the retirement of David Garrick
; the next manager to make his mark on it was Richard Brinsley Sheridan
, who now became joint-manager with three others. The London Stage 1660-1800. Southern Illinois University Press. 5: 5-6 |
Family and Intimate relationships | Stéphanie-Félicité de Genlis | SFG
had two daughters or adopted daughters, Pamela
(named after Richardson
's fictional heroine) and Hermine. Pamela later married an Irish patriot, becoming Lady Edward Fitzgerald
. The question of her parentage, and indeed her... |
Performance of text | Georgiana Cavendish, Duchess of Devonshire | Georgiana, Duchess of Devonshire
, was a composer of tunes for the voice: she contributed a song to Sheridan
's immense stage success, Pizarro. Foreman, Amanda. Georgiana, Duchess of Devonshire. HarperCollins. 323 |
Friends, Associates | Georgiana Cavendish, Duchess of Devonshire | The Duchess of Devonshire knew virtually everyone in London society. Set apart was the Devonshire House Circle: a clique of wealthy and fashionable Whigs with rakish or bohemian leanings, who even spoke in their... |
Travel | Georgiana Cavendish, Duchess of Devonshire | The Duke of Devonshire planned to take his wife and his mistress to Spa in the summer of 1789. The prospect pleased them both for different reasons: Georgiana hoped for improved fertility from the waters... |
Textual Production | Phebe Gibbes | A musical drama by PG
was accepted for production, but then lost, by Richard Brinsley Sheridan
, new manager of Drury Lane Theatre
. Archives of the Royal Literary Fund, 1790-1918. |
Textual Production | Catherine Gore | CG
published a novel entitled The Dowager; or, The New School for Scandal (a subtitle referring to Richard Brinsley Sheridan
's well-known comedy). The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Publishing | Catherine Gore | This novel was edited, with her initials, by Lady Charlotte Bury
; she disclaimed the political opinions of the narrator, or any first-hand knowledge of the material, since, she said, it dealt with a period... |
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