Critical Review. W. Simpkin and R. Marshall.
16 (1763): 321
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Jean Plaidy | Jean Plaidy
opened by this name a Stuart series with The Murder in the Tower, a historical novel on the affair of Frances Howard, Countess of Essex and later of Somerset
, with Robert Carr |
Textual Production | Aemilia Lanyer | It was probably published soon afterwards, though the title-page says 1611. Handsome copies of the title-poem without all of its accompanying or supporting poems were given as gifts to Prince Henry
(eldest son of James I |
Textual Production | Lady Eleanor Douglas | The earliest known tract or prophecy by Lady Eleanor Davies (later LED
) seems to have begun with a commentary on books 7-12 of the Book of Daniel, which she meant to present to... |
Textual Production | Catharine Macaulay | CM
published, with her name, the first volume of her History of England from the Accession of James I
to that of the Brunswick Line—that is, the Hanoverian monarchs. Critical Review. W. Simpkin and R. Marshall. 16 (1763): 321 |
Textual Production | Catharine Macaulay | CM
published volume three of her History of England, From the Accession of James I, with a subtitle that reads to the Elevation of the House of Hanover. Critical Review. W. Simpkin and R. Marshall. 23 (1767): 81 |
Textual Production | Queen Elizabeth I | |
Textual Production | Catharine Macaulay | It was printed for the author, by J. Nourse
. CM
's primary publisher for the first four volumes was Thomas Cadell
. When she offered to sell him the entire copyright of the still... |
Textual Features | Lady Arbella Stuart | This first letter by AS provides family news, thanks her grandmother for a token and sends in exchange some of her hair and a pot of jelly made by her servant. Stuart, Lady Arbella. The Letters of Lady Arbella Stuart. Editor Steen, Sara Jayne, Oxford University Press. 119 |
Textual Features | Jeanette Winterson | Winterson conjures up an England ruled by a king, James I
, obsessed with stamping out the twin evils of witchcraft and Catholicism
. She identifies the original group on the hill with poor women... |
Textual Features | Norah Lofts | The house, Merravay, is seen playing a crucial role in the lives of a series of protagonists named in the chapter titles. They include the apprentice, the witch, the matriarch, the governess, ending after the... |
Residence | Grace, Lady Mildmay | GLM
spent her mature married life at the splendid Apethorpe Hall near Peterborough in Northamptonshire, which her father had acquired from King Edward IV
in exchange for other property. The royal connection was continued... |
Residence | Lady Eleanor Douglas | Lady Eleanor Davies (later LED
) and her husband Sir John Davies
returned to England from Ireland; he had fallen out with James I
and lost his job. Cope, Esther S. Handmaid of the Holy Spirit: Dame Eleanor Davies, Never Soe Mad a Ladie. University of Michigan Press. 23 |
Reception | Carola Oman | After the performance of CO
's The Tragedy of King James I (apparently a different juvenile play), senior members of the cast gave her a beautifully-set typescript of the text as a souvenir. Oman, Carola. An Oxford Childhood. Hodder and Stoughton. 145-9 |
Reception | Lady Mary Wroth | LMW
wrote to assure Buckingham
, the king
's favourite, that she meant no offence to the court by her book, yet offering to withdraw it. Wroth, Lady Mary. The Poems of Lady Mary Wroth. Editor Roberts, Josephine A., Louisiana State University Press, http://BLC. 236 |
Publishing | Elizabeth Melvill | The title-page this time shows the royal arms. This undated edition is associated by Rebecca Laroche
with the Hampton Court Conference of Anglican
bishops at which James I
pronounced No Bishop, no King Laroche, Rebecca. “Elizabeth Melville and Her Friends: Seeing ‘Ane Godlie Dreame’ through Political Lenses”. CLIO, Vol. 34 , No. 3, pp. 277-95. 287 |
No bibliographical results available.