Women’s Writing in the British Isles from the Beginnings to the Present
Mary Shelley
-
Standard Name: Shelley, Mary
Birth Name: Mary Wollstonecraft Godwin
Married Name: Mary Wollstonecraft Shelley
Pseudonym: Mary S.
Pseudonym: Mrs Caroline Barnard
MS
, long known almost exclusively for Frankenstein, is now being read for her later novels and her plays, as well as for her journals and letters. Her editing, reviewing, biographical, and journalistic work entitle her to the designation woman of letters. She is an important figure among women Romantics, and a channel for the reformist ideals of the 1790s forwards into the Victorian era.
In 1817 he was sitting up until three in the morning with Percy
and Mary Shelley
discussing monarchy and republicanism.
Shelley, Mary. The Journals of Mary Shelley, 1814-1844. Editors Feldman, Paula R. and Diana Scott-Kilvert, Johns Hopkins University Press.
163
Friends, Associates
Alice Meynell
Following her early conquest of Tennyson
, AM
went on to develop a large circle of literary acquaintances. Callers on the Meynells at Palace Court included Irish writer Katharine Tynan
, Aubrey Beardsley
(while he...
CN
found solace and political support in other friendships. Lawyer Abraham Hayward
and MP Thomas Noon Talfourd
became her allies in her attempts to change the law on custody of children, and gossip soon alleged...
Friends, Associates
Margiad Evans
A young poet whom she calls B—, a descendant of Percy Shelley
(and therefore presumably of Mary Shelley
too), whom she had known since his boyhood, moved from his own cottage to stay with ME
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Mary...
Friends, Associates
Eliza Fenwick
On 23 July 1810, after a year which she said had taught [her] new griefs whose nature she does not explain, Fenwick wrote in anguish to Hays, who had stopped communicating with her. She knew...
Friends, Associates
Eliza Fenwick
EF
fully shared in her husband's friendship with William Godwin
. She exchanged visits with him, sometimes with one or other of her children, from the time she first entertained him in November 1788. He...
Intertextuality and Influence
Elizabeth Gaskell
Mary Barton contains remarkable scenes of domestic life amongst the working classes and harrowing portraits of industrial suffering, particularly the oozing cellar where a friend of the Bartons dies.
Gaskell, Elizabeth. Mary Barton. Editor Foster, Jennifer, Broadview.
The plot concerns an English governess to an Italian family in Rome, who opposes the love which develops between her and the grown-up son. AL
plants allusions to Jane Eyre and to famous English...
Intertextuality and Influence
Marguerite Gardiner, Countess of Blessington
The elderly lady, Lady Arabella, represents a chilly view of the English aristocracy. She opens her story with a paean in praise of past times and in dispraise of the present: How interminably long the...
Intertextuality and Influence
Liz Lochhead
In considering the question of why Mary Shelley
created monsters, LL
says she was haunted by that phrase from Goya
: The sleep of reason produces monsters. If you try to force things to be...
Intertextuality and Influence
Alice Munro
Most exotic and improbable of all is The Albanian Virgin (based on an actual experience, about 1900, of a librarian from Clinton, Ontario),
Thacker, Robert. Alice Munro. McClelland and Stewart.
445
which makes use of the ancient tradition, in a tribal society...
Intertextuality and Influence
Ann Jellicoe
With this play, Jellicoe deliberately broke with her earlier work by writing a narrative drama based on a pre-existing story. She was attracted to the subject of Percy Shelley's life
because it gave her the...
Intertextuality and Influence
Augusta Webster
During her tenure she encountered the very best and worst of late Victorian poetry. Her published reviews, which critic Marysa Demoor
characterises as expressing a hesitant modernism,
Demoor, Marysa. “Women Poets as Critics in the <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘j’>Athenæum</span>: Ungendered Anonymity Unmasked”. Nineteenth-Century Prose, Vol.
