Marysa Demoor

Standard Name: Demoor, Marysa

Connections

Connections Author name Excerpt
Publishing Mathilde Blind
MB published in most of the leading journals of her day including the Athenæum, to which she contributed along with her friend Helen Zimmern .
Critic Marysa Demoor considers MB 's and others' access...
Publishing Millicent Garrett Fawcett
MGF ceased contributing to the Athenæum in the mid-1880s. At that time, she was in a position of increasing conflict with Liberal Unionists, and Sir Charles Dilke had been named as a co-respondent in a...
Textual Features Augusta Webster
During her tenure she encountered the very best and worst of late Victorian poetry. Her published reviews, which critic Marysa Demoor characterises as expressing a hesitant modernism,
Demoor, Marysa. “Women Poets as Critics in the Athenæum: Ungendered Anonymity Unmasked”. Nineteenth-Century Prose, Vol.
24
, No. 1, 1997, pp. 51-71.
61
included appraisals of Robert Bridges ,...

Timeline

No timeline events available.

Texts

Hughes, Linda K. “A Woman Poet Angling for Notice: Rosamund Marriott Watson”. Marketing the Author: Authorial Personae, Narrative Selves and Self-Fashioning, 1880-1930, edited by Marysa Demoor and Marysa Demoor, Palgrave Macmillan, 2004, pp. 134-55.
Brake, Laurel, and Marysa Demoor, editors. Dictionary of Nineteenth-Century Journalism In Great Britain and Ireland. Academia Press, 2009.
Demoor, Marysa. “Power in Petticoats: Augusta Webster’s Poetry, Political Pamphlets, and Poetry Reviews”. Voices of Power, edited by Marc Maufort and Jean-Pierre van Noppen, Université de Liège, 1997, pp. 133-40.
Demoor, Marysa. Their Fair Share. Ashgate, 2000.
Demoor, Marysa. “Women Poets as Critics in the Athenæum: Ungendered Anonymity Unmasked”. Nineteenth-Century Prose, Vol.
24
, No. 1, 1997, pp. 51-71.