Betham, Mary Matilda. “Preface”. Crow-Quill Flights.
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Connections | Author name Sort descending | Excerpt |
---|---|---|
Literary responses | Mary Matilda Betham | MMB
said that this book received flattering praises in reviews. Betham, Mary Matilda. “Preface”. Crow-Quill Flights. 7 |
Textual Production | Elizabeth Bishop | |
Literary responses | Susanna Blamire | In 1886 the Dictionary of National Biography said SBdeserves more recognition than she has yet received. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Literary responses | Emily Brontë | Since the early criticism which took its lead from Charlotte's biographical portrait, a biographical and hagiographic industry has arisen around all three Brontë sisters and their home in Haworth. A. Mary F. Robinson
published... |
Textual Production | Rhoda Broughton | The title is probably quoted from Coleridge
's Ancient Mariner: not from the mariner's exotic adventures, but from a mention of the bride whose wedding his listener was trying to attend, and for which... |
Intertextuality and Influence | A. S. Byatt | Charlotte Brontë
's poem We wove a web in childhood appears as epigraph, along with a sentence from Coleridge
about the serpent as emblem of the imagination. Byatt, A. S. The Game. Chatto and Windus. 4 |
Textual Production | A. S. Byatt | In Unruly Times, 1989, she considers the shared thinking of Wordsworth
and Coleridge
, and its development in the context of epoch-making public events and the intellectual climate which surrounded them. |
Intertextuality and Influence | A. S. Byatt | She thought of the title and the central idea for the novel in the British Library, watching that great Coleridge
scholar, Kathleen Coburn
, and thinking of the poet possessing his critic, and of the... |
Theme or Topic Treated in Text | Maria Callcott | After her first return from Italy and again later in her life, Maria Graham (later MC
) did book reviews for the publisher John Murray
. She expressed her admiration for contemporary literature: Coleridge
,... |
Textual Production | Sara Coleridge | |
Author summary | Sara Coleridge | Living in the shadow of her father, Samuel Taylor Coleridge
, SC
nevertheless became recognized in her own right as a talented writer during the first half of the nineteenth century. She began with translations... |
Cultural formation | Sara Coleridge | |
Family and Intimate relationships | Sara Coleridge | SC
's father was the famous poet, philosopher, and critic Samuel Taylor Coleridge
. Though he was present for much of Sara's early childhood, their relationship later deteriorated because of his repeated absences, and also... |
Cultural formation | Christabel Coleridge | CC
, granddaughter of Samuel Taylor Coleridge
, was named after his poetic heroine Christabel. She grew up in an English, presumably white, middle-class, literary, Anglican
family. She later held Conservative views, especially on women's rights. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Family and Intimate relationships | Sara Coleridge | SC
's father-in-law initially objected to the match, primarily for economic reasons. Mudge, Bradford Keyes, and Sara Coleridge. Sara Coleridge, a Victorian Daughter: Her Life and Essays. Yale University Press. 35, 47 |
No bibliographical results available.