Hannah More
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Standard Name: More, Hannah
Birth Name: Hannah More
Nickname: Nine
Pseudonym: A Young Lady
Pseudonym: The Author of Percy
Pseudonym: H. M.
Pseudonym: Will Chip, a Carpenter
During her long and phenomenally productive career HM
wrote plays, poems, a single novel and much social, religious, and political commentary. She was the leading conservative and Christian moralist of her day. Her political opinions were reactionary, and her passionate commitment to educating the poor and lessening their destitution has been judged as marred by its paternalist tone. But she was a pioneer educator and philanthropist, with enormous influence on the Victorian age.
Orlando gratefully acknowledges help with this document from Mary Waldron. Any flaws or errors are, of course, not hers.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Charlotte Yonge | CY
contributed a biography, Hannah More, to the Eminent Women series. Nadel, Ira Bruce, and William E. Fredeman, editors. Dictionary of Literary Biography 18. Gale Research, 1983. 18: 311 |
Textual Production | Frances Reynolds | FR
's surviving portraits are widely scattered. Her Hannah More
is held by Bristol Museum and Art Gallery
, and is reproduced in Elizabeth Egar
and Lucy Peltz
's Brilliant Women: 18th-Century Bluestockings. Eger, Elizabeth, and Lucy Peltz. Brilliant Women: 18th-Century Bluestockings. National Portrait Gallery, 2008. 78-9 |
Textual Production | Ann Yearsley | In this volume she meant to prove that her poetry was even better when not tampered with by Hannah More
. Her Preface relates the circumstances of their quarrel over the terms of the trust... |
Textual Production | Hester Mulso Chapone | HMC
contributed a pamphlet, Mary Wood the Housemaid, to Hannah More
's Cheap Repository Tracts series, 1795-8. |
Textual Production | Sarah Trimmer | From the second number it bore ST
's name. Hannah More
came up with the idea for her Cheap Repository Tracts after two issues of Trimmer's magazine. If it was a model for her, she... |
Textual Production | Barbara Hofland | |
Textual Production | Anna Letitia Barbauld | She also wrote for school performance two short plays of slily political import, perhaps after reading Genlis
's Théâtre à l'usage des jeunes personnes, 1780. She must have enjoyed dramatic writing, since after seeing... |
Textual Production | Judith Sargent Murray | About a year after seeing a successful performance of one of Hannah More
's Sacred Dramas, JSM
contributed her first theatre epilogue to an amateur performance at Gloucester in January 1790 of George Farquhar |
Textual Production | Charlotte Nooth | His De la littérature des Nègres in its original form reflects internationalism, anglophilia, and perhaps even proto-feminism. The title-page quotes Mary Robinson
. The roll of honour of white activists for abolition and racial equality... |
Textual Production | Elizabeth Sewell | Like one of its predecessors, Hannah More
's Strictures on the Modern System of Female Education with a view of the Principles and Conduct Prevalent Among Women of Rank and Fortune, this work functions... |
Textual Production | Jane Marcet | Out of an evident anxiety about unrest on the part of the working classes in the years that led up to the Reform Bill, JM
issued John Hopkins's Notions on Political Economy, published as... |
Textual Production | Emma Marshall | An idea for a fiction about Hannah More
's time at Cheddar qtd. in Marshall, Beatrice. Emma Marshall. Seeley, 1900. 206 |
Textual Production | Anna Letitia Barbauld | She also kept up her output of political poetry. Only a few years after this Hannah More
's Bishop Bonner's Ghost (a ballad extolling, through irony, the modern, enlightened Church of England
) drew from... |
Textual Production | Anna Letitia Barbauld | The importance of politics in ALB
's journalism is shown by her declining an invitation from Maria Edgeworth
in 1804 to associate herself with a journal written entirely by women, on the grounds that the... |
Textual Production | Mary Anne Schimmelpenninck | MAS
published a translation from a French pamphlet by Henri Louis Empaytaz
dating from two years before: Some Particulars relating to the late Emperor Alexander. Tsar Alexander died in 1825. He had begun as... |
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