Samuel Johnson

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Standard Name: Johnson, Samuel
Used Form: Dr Johnson
Arriving in eighteenth-century London as one more young literary hopeful from the provinces, SJ achieved such a name for himself as an arbiter of poetry, of morality (through his Rambler and other periodical essays and his prose fiction Rasselas), of the language (the Dictionary), and of the literary canon (his edition of Shakespeare and the Lives of the English Poets) that literary history has often typecast him as hidebound and authoritarian. This idea has been facilitated by his ill-mannered conversational dominance in his late years and by the portrait of him drawn by the hero-worshipping Boswell . In fact he was remarkable for his era in seeing literature as a career open to the talented without regard to gender. From his early-established friendships with Elizabeth Carter and Charlotte Lennox to his mentorship of Hester Thrale , Frances Burney , and (albeit less concentratedly) of Mary Wollstonecraft and Henrietta Battier , it was seldom that he crossed the path of a woman writer without friendly and relatively egalitarian encouragement.

Connections

Connections Author name Sort ascending Excerpt
Textual Production Jan Morris
More than a decade later, in 1978, JM followed her own portrait of Oxford by editing The Oxford Book of Oxford, a quirky anthology of often very short anecdotes and other excerpts, aimed less...
Intertextuality and Influence Hannah More
HM 's prologue (invoking Samuel Johnson as authority) presents domestic subject-matter as more relevant than the fate of empires.
Textual Production Hannah More
Johnson suggested some little alterations in Sir Eldred, though none in The Bleeding Rock.
Jones, Mary Gwladys. Hannah More. Cambridge University Press.
45
Reception Hannah More
Some lines from Sensibility were quoted as caption below a print of Johnson ; HM saw this print on a wall at Pembroke College when visiting Oxford with him in June 1782.
Jones, Mary Gwladys. Hannah More. Cambridge University Press.
46-7
Literary responses Hannah More
The Critical Review (to which the author's identity was no secret) said of it that HM 's narrative gift was no contemptible endowment, and that her gaiety of humour was pleasing. It did, however...
Intertextuality and Influence Hannah More
The title-page quotation from Paradise Lost features the archangel Raphael's pronouncement that it is better for human beings to know That which before us lies in daily life than things remote.
Feminist Companion Archive.
According to critic...
Family and Intimate relationships Hannah More
Johnson and Boswell paid a visit to the school run by HM 's sisters in Bristol.
Jones, Mary Gwladys. Hannah More. Cambridge University Press.
4
Textual Production Hannah More
HM published her first poem, the ballad Sir Eldred of the Bower, revised with the help of Samuel Johnson . It was printed with another poem, The Bleeding Rock, bearing the date of...
Friends, Associates Hannah More
Here she began to gather the circle of friends which by the end of her long life had touched every cranny of English society. She had already met Edmund Burke in Bristol the previous September...
Theme or Topic Treated in Text Elizabeth Moody
Personal matters mingle with others of public or topical interest, as EM addresses Joseph Priestley on the inter-relation of matter and spirit, Marie Antoinette on her sufferings before her execution, and Dr Thomas Huet on...
Friends, Associates Elizabeth Montagu
EM 's relationship with Samuel Johnson began with formal respect but a certain absence of warmth on both sides. She found his personal and social manners unacceptable. It seems that each may have resented the...
Textual Production Elizabeth Montagu
Her full title is An Essay on the Writings and Genius of Shakespear, compared with the Greek and French Dramatic Poets, With some Remarks Upon the Misrepresentations of Mons. de Voltaire.
Montagu, Elizabeth. Essay on Shakespear. J. Dodsley.
title-page
She spelled...
Theme or Topic Treated in Text Elizabeth Montagu
The patriotic element in EM 's reading of Shakespeare is crucial. She magisterially rebukes Voltaire's view of her admired author as having been primitive and unpolished, and seeks to outmanoeuvre the prestige of the French...
Literary responses Elizabeth Montagu
The patriotism of EM 's riposte ensured its enthusiastic reception. Readers (among them a brother of Elizabeth Carter , who refrained from enlightening him) assumed that the anonymity of this authoritative critical voice concealed a...
Textual Features Mary Russell Mitford
MRM has no patience with Laetitia-Matilda Hawkins 's The Countess and Gertrude or with Byron 's Childe Harold.
Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers.
1: 133, 152
She despises Stéphanie-Félicité de Genlis as a delightful mixture of cant and affectation...

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