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To log in to this site, your browser must accept cookies from the domain orlando.cambridge.org.Samuel Johnson
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Standard Name: Johnson, Samuel
Used Form: Dr Johnson
Arriving in eighteenth-century London as one more young literary hopeful from the provinces, SJ
achieved such a name for himself as an arbiter of poetry, of morality (through his Rambler and other periodical essays and his prose fiction Rasselas), of the language (the Dictionary), and of the literary canon (his edition of Shakespeare
and the Lives of the English Poets) that literary history has often typecast him as hidebound and authoritarian. This idea has been facilitated by his ill-mannered conversational dominance in his late years and by the portrait of him drawn by the hero-worshipping Boswell
. In fact he was remarkable for his era in seeing literature as a career open to the talented without regard to gender. From his early-established friendships with Elizabeth Carter
and Charlotte Lennox
to his mentorship of Hester Thrale
, Frances Burney
, and (albeit less concentratedly) of Mary Wollstonecraft
and Henrietta Battier
, it was seldom that he crossed the path of a woman writer without friendly and relatively egalitarian encouragement.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Charlotte Lennox | CL
's friends Samuel Johnson
and Samuel Richardson
both saw her as a professional writer with a career to fashion: a career which needed her presence in London, heart of the publishing industry. Richardson... |
Textual Production | Ellis Cornelia Knight | ECK
published her first work, Dinarbas, a novel which acts as a continuation of Samuel Johnson
's Rasselas. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. Kolb, Gwin J. “Forward”. Dinarbas, Colleagues Press, 1993. vii “Review of Dinarbas by Ellis Cornelia Knight”. The Analytical Review, Vol. 7 , J. Johnson, June 1790, pp. 189-91. 189 |
Textual Production | Hester Lynch Piozzi | Johnson
was quite groundlessly suspected of helping her with its composition. Clifford, James L. Hester Lynch Piozzi (Mrs Thrale). Clarendon Press, 1987. 62-3 |
Textual Production | Frances Reynolds | A manuscript of this in the Hyde Collection (now at the Houghton Library
, Harvard
) bears revisions by Samuel Johnson
, in red ink which he told FR
she could easily remove with water... |
Textual Production | Sarah Trimmer | Her spur to beginning it was reading the published personal writings of Samuel Johnson
, which moved her deeply. She wrote it in the most secret hours retreat, and without the least intention .... |
Textual Production | Jane Marcet | The full title is Conversations on the Evidences of Christianity, in which the Leading Arguments of the Best Author are Arranged, Developed, and Connected with Each Other. For the Use of Young Persons and Theological... |
Textual Production | Jan Morris | More than a decade later, in 1978, JM
followed her own portrait of Oxford by editing The Oxford Book of Oxford, a quirky anthology of often very short anecdotes and other excerpts, aimed less... |
Textual Production | Frances Reynolds | |
Textual Production | Charlotte Lennox | She had written most of it by November 1751. With Johnson
as mediator, she consulted Richardson
about revisions, denouement, optimum length (she reduced her plan from three volumes to two), and about her choice of... |
Textual Production | Margaret Atwood | Payback opened a new seam in Atwood's continuing output of journalism. Her essay Our faith is fraying in the god of money, in the Financial Times of 13 April 2012, tellingly applies a passage... |
Textual Production | Angela Thirkell | Her title comes from an anecdote in Boswell
's The Life of Samuel Johnson, about a man who tried to be a philosopher, but could not manage it because cheerfulness kept breaking in. |
Textual Production | Anne Finch | One passage from a long Pindaric ode entitled All is Vanity (present in Finch's early octavo ms and in her printed collection) has broken loose and achieved a life of its own. Whereas the entire... |
Textual Production | Susanna Haswell Rowson | During her work on this novel SHR
was appearing regularly on stage, learning nearly forty different parts, and writing as well three plays, several songs, and an address in verse. Epley, Steven. “Susanna Rowson’s Bible Abridgement and Its Relationship to Her Most Famous Novel”. American Society for Eighteenth-Century Studies (ASECS) Conference, Boston, MA, 25 Mar. 2004. Parker, Patricia L. Susanna Rowson. Twayne, 1986. 15 |
Textual Production | Samuel Beckett | In late 1937 SB
was at work on a play about the relationship between Samuel Johnson
and Hester Thrale
, Cohn, Ruby. Back to Beckett. Princeton University Press, 1973. ix-x |
Textual Production | Susannah Dobson | Samuel Johnson
supposed, nearly a decade after its production, that The Life of Théodore Agrippa d'Aubigné, 1772, was by SD
: actually it was the last work of Sarah Scott
, who always published anonymously. Johnson, Samuel. The Letters of Samuel Johnson. Editor Redford, Bruce, The Hyde Edition, Princeton University Press, 1992–1994, 5 vols. 4: 147 |
Timeline
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Texts
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